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Longer titles found: Where the Wild Things Are (Blackout Records album) (view)

searching for Blackout Records 8 found (46 total)

alternate case: blackout Records

Zonked/Ain't It Fun (191 words) [view diff] exact match in snippet view article find links to article

Music label, and Ain't It Fun is the version released in the UK on Blackout Records. Lux Interior, Joey Ramone, and Marky Ramone made contributions to
Garrett Uhlenbrock (335 words) [view diff] no match in snippet view article find links to article
Intruders. That same year they released the self-titled album on Blackout! Records (produced by Marky Ramone, Skinny Bones and Mark Neuman). The cover
New Bomb Turks (871 words) [view diff] no match in snippet view article find links to article
1993) Shave The Baby: Datapanik's Greatest Hits: Volume 1 (Engine/Blackout! Records, 1993) Cowtown EP Volume II (Anyway Records, 1993) Cheapo Crypt Sampler
Three Years Two Months Eleven Days (643 words) [view diff] exact match in snippet view article find links to article
Come than anything they did subsequently on either Nitro Records or Blackout Records. Straightforward, short blasts of hardcore punk in the New York hardcore
Brightside (Killing Time album) (619 words) [view diff] exact match in snippet view article
Locke Cover art and logo by John Drago, Anthony's brother Killing Time official website Blackout Records band page Blackout Records Happy Hour EP page
Thicker than Water (album) (255 words) [view diff] exact match in snippet view article
Sound On Sound, New York City) by Larry Buksbaum Pre-production at Loho Studios, New York City AllMusic review Epitaph Records Blackout Records v t e
For What It's Worth (EP) (394 words) [view diff] exact match in snippet view article
Assistant engineered by Pete Benjamin Mixed by Nik Chinboukas, Pete Benjamin and Nate "Edge" Gluck Indecision Records Blackout Records Nitro Records link
Signal Aout 42 (946 words) [view diff] exact match in snippet view article find links to article
Meurisse relocated the studio where he worked exclusively for Disco Smash-Blackout Records and wrote several tracks for techno-oriented side projects like Pleasure