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Longer titles found: Half the Sky Feminist Theatre (view)

searching for Feminist theatre 59 found (107 total)

alternate case: feminist theatre

Political drama (1,779 words) [view diff] no match in snippet view article find links to article

A political drama can describe a play, film or TV program that has a political component, whether reflecting the author's political opinion, or describing
Aida Jordão (729 words) [view diff] exact match in snippet view article find links to article
co-founder of the feminist theatre group, Company of Sirens, and she co-created This is For You, Anna, a germinal Canadian feminist theatre play. Jordão was
Huma Safdar (1,515 words) [view diff] exact match in snippet view article find links to article
teacher, theatre artist, Punjabi language activist and director of feminist theatre “Sangat”. As an artist, she worked with Punjab Lok Rahs. She has taught
Diana Taylor (professor) (384 words) [view diff] exact match in snippet view article
American and U.S. theatre and performance, performance and politics, feminist theatre and performance in the Americas, Hemispheric studies, and trauma studies
Clare McIntyre (553 words) [view diff] exact match in snippet view article find links to article
traditional forms of female representation. She debuted on the British feminist theatre scene as an actress in the 1970s, and emerged as a writer with allegiance
Women's Interart Center (2,804 words) [view diff] case mismatch in snippet view article find links to article
Dress Suits for [sic] Hire". In Martin, Carol (ed.). A Sourcebook on Feminist Theatre and Performance: On and Beyond the Stage. London and New York: Routledge
Mary Vingoe (2,195 words) [view diff] exact match in snippet view article find links to article
and theatre director. Vingoe was one of the co-founders of Canadian feminist theatre company Nightwood Theatre and later co-founded Ship's Company Theatre
Marty Gervais (1,218 words) [view diff] case mismatch in snippet view article find links to article
staged virtually in a film made by Taylor Campbell. In 2020, Windsor Feminist Theatre produced a play by Gervais called Letters to Grace, based on actual
Kim Renders (1,253 words) [view diff] exact match in snippet view article find links to article
and a founding member of Nightwood Theatre, the oldest professional feminist theatre company in Canada. Renders was born in Toronto, Ontario, on January
Marthe Blackburn (343 words) [view diff] exact match in snippet view article find links to article
l’âge", a short theatrical piece which was part of the collaborative feminist theatre work La nef des sorcières alongside pieces by Luce Guilbeault, France
Rebecca Mordan (245 words) [view diff] exact match in snippet view article find links to article
became an official charity in 2005. Scary Little Girls is a radical feminist theatre company and production hub that works with around 100 artists a year
Janet Seidel (394 words) [view diff] case mismatch in snippet view article find links to article
singer. From 1976 to 1980, she was an active member of the Adelaide Feminist Theatre Group. For their first show, The Carolina Chisel Show (1976), she wrote
Theatre of Canada (4,370 words) [view diff] case mismatch in snippet view article find links to article
(Toronto, 1980) Windsor Feminist Theatre (Windsor, 1980) Native Earth Performing Arts (Toronto, 1982) Half the Sky Feminist Theatre (Hamilton, 1982) DNA
Julie Okoh (1,616 words) [view diff] case mismatch in snippet view article find links to article
Julie Okoh retired in 2017. In her inaugural lecture titled "Towards Feminist Theatre in Nigeria", which she presented in October 2012, Okoh concludes: The
Dress Suits to Hire (1,058 words) [view diff] case mismatch in snippet view article find links to article
2016-04-25. Martin, Carol (2002). Worlds of Performance : A Sourcebook on Feminist Theatre and Performance : On and Beyond the Stage. United States: Routledge
He and She (play) (1,007 words) [view diff] case mismatch in snippet view article
over half a century, He and She was revived by the Washington Area Feminist Theatre in 1973. According to dramaturgical scholars, it is "Crothers' most
María Abella (455 words) [view diff] case mismatch in snippet view article find links to article
Farnsworth, May Summer. "Sex Work, Sickness, and Suicide: Argentine Feminist Theatre in the 1910s and 1920s". Hemispheric Institute. Rappaport, Helen (2001)
Sophie Willan (882 words) [view diff] exact match in snippet view article find links to article
her arts career. Willan began her arts career in theatre, founding feminist theatre/cabaret group Eggs Collective. Willan's stand up takes inspiration
Bye Bye Monkey (740 words) [view diff] exact match in snippet view article find links to article
fill the museum. Lafayette also works as a lighting technician for a feminist theatre group. After rehearsal one day, the women in the group discuss their
Carole Fréchette (1,405 words) [view diff] exact match in snippet view article find links to article
political and feminist theatre as well as collective writing which was flourishing at that time in Quebec. In 1974, she joined the feminist theatre group called
Susan Bennett (academic) (675 words) [view diff] case mismatch in snippet view article
before she was granted administrative leave. In 2006, Bennett edited "Feminist Theatre and Performance." At the time, she also chaired the Survey Methodology
Cloud 9 (play) (1,673 words) [view diff] case mismatch in snippet view article
at Lucille Lortel's Theatre de Lys 1981-1983". Shannon Baisden, How Feminist Theatre Became "Queer": A Look into Caryl Churchill's Cloud Nine (2004), p
Roberta Sklar (239 words) [view diff] case mismatch in snippet view article find links to article
2008-08-23. Chinoy, Helen Krich; Jenkins, Linda Walsh (2006). "Chapter 6, Feminist Theatre". Women in American Theatre. New York: Theatre Communications Group
Marlborough Pub and Theatre (2,388 words) [view diff] exact match in snippet view article find links to article
The Devil's Dykes and The Bright Girls — formed the radical lesbian feminist theatre collective, Siren. Siren's shows included Curfew, Mama's Gone a-Hunting
Mile End, Montreal (2,984 words) [view diff] exact match in snippet view article find links to article
maintains its head office and flagship store in Mile End. Imago Theatre, a feminist theatre company and one of the oldest Anglophone theatres in Montreal, is located
Norah Smyth (807 words) [view diff] exact match in snippet view article find links to article
village life. In 1912, Smyth joined the Pioneer Players, Edith Craig's feminist theatre company. Also around this time, she joined the Women's Social and Political
Rutherford and Son (1,347 words) [view diff] exact match in snippet view article find links to article
modern revival did not get underway until 1980 when a production by the feminist theatre company Mrs Worthington's Daughters (directed by Julie Holledge) was
Lib Spry (470 words) [view diff] exact match in snippet view article find links to article
artistic director of Passionate Balance. In 1986, Spry co-founded the feminist theatre company, Company of Sirens, with Lina Chartrand, Aida Jordão, Catherine
Myrna Lamb (431 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-0-8135-3973-7. Krich Chinoy, Helen; Walsh Jenkins, Linda, ed. "Feminist Theatre", Women in American Theatre, Theatre Communications Grou, 2006, ISBN 1559362634
Lady Caroline Blackwood (1,438 words) [view diff] exact match in snippet view article find links to article
other periodicals on subjects such as beatniks, Ulster sectarianism, feminist theatre and New York free schools. According to Christopher Isherwood, "she
Helena Kaut-Howson (882 words) [view diff] case mismatch in snippet view article find links to article
ISBN 9780415159869. Retrieved 8 March 2022. Aston, Elaine (2005). Feminist Theatre Practice: A Handbook. Routledge. ISBN 9781134771516. Retrieved 8 March
Lois Weaver (994 words) [view diff] exact match in snippet view article find links to article
Miguel's sisters Lisa Mayo and Gloria Miguel, was a co-founder of feminist theatre company Spiderwoman Theatre, whose members focused on using their own
Kate Lushington (870 words) [view diff] case mismatch in snippet view article find links to article
of Joy - co-written with Natasha Greenblatt "Fear of Feminism" in Feminist Theatre and Performance (ed. Susan Bennett, 2006) The Canadian Women Director's
Beverley Cooper (690 words) [view diff] exact match in snippet view article find links to article
MacDonald's Goodnight Desdemona (Good Morning Juliet), a Canadian feminist theatre classic first produced in 1988 by Toronto's Nightwood Theatre, and
Sara Tilley (497 words) [view diff] exact match in snippet view article find links to article
director based in St. John's. She was the artistic director of the feminist theatre company She Said Yes! from 2002 to 2016, and has written or co-written
Mabel Evwierhoma (424 words) [view diff] exact match in snippet view article find links to article
development. Lagos, Nigeria: Association of Nigerian Authors, 2006 Nigerian feminist theatre : essays on female axes in contemporary Nigerian drama, 2014 (ed. with
Missing and Murdered Indigenous Women (14,271 words) [view diff] case mismatch in snippet view article find links to article
Women. Big Green Sky is a play commissioned and produced by Windsor Feminist Theatre (WFT), which debuted in May 2016 in Windsor Ontario. It was prompted
The Yellow Wallpaper (4,747 words) [view diff] case mismatch in snippet view article find links to article
MacArthur, Laura Michelle (2014). "Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF). library.utoronto.ca
Sue Perlgut (283 words) [view diff] case mismatch in snippet view article find links to article
Abortion & Life. Akashic. Martin, Carol, ed. (1996). A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. Routledge. Rajan, V.G. Julie
Hope McIntyre (725 words) [view diff] case mismatch in snippet view article find links to article
Centre. Retrieved October 9, 2020. Dempsey, Shawna (2015). "Staging Feminist Theatre". Herizons. Vol. 29, no. 1. pp. 24–29. ISSN 0711-7485. Scott, Shelley
Evalyn Parry (1,297 words) [view diff] exact match in snippet view article find links to article
Women Festival in 2012. Parry writes and performs with the acclaimed feminist theatre collective Independent Aunties with Anna Chatterton and Karin Randoja
Jane Arden (director) (1,675 words) [view diff] exact match in snippet view article
wrote the drama The Illusionist. In 1970, Arden formed the radical feminist theatre group Holocaust and wrote the play A New Communion for Freaks, Prophets
Alice Birch (2,926 words) [view diff] exact match in snippet view article find links to article
Playwright. In 2015, Birch developed the play We Want You to Watch with the feminist theatre company RashDash. We Want You to Watch was commissioned by the National
We Want You to Watch (586 words) [view diff] exact match in snippet view article find links to article
Temporary Theatre under the direction of Caroline Steinbeis. RashDash, a feminist theatre company composed of Helen Goalen and Abbi Greenland, received funding
Nasreen Anjum Bhatti (770 words) [view diff] exact match in snippet view article find links to article
"Nasreen Anjum Bhatti: classic case of forsaken writers". DAWN.COM. "Feminist theatre group gives voice to the powerless". The Express Tribune. 6 January
Sheila Bhatia (630 words) [view diff] case mismatch in snippet view article find links to article
Oxford University Press. ISBN 9780195644463. "Aesthetics of Indian Feminist Theatre". Rup Katha. 2015. Retrieved 30 May 2015. Susie J. Tharu, Ke Lalita
Drowning (play) (1,633 words) [view diff] exact match in snippet view article
Subversive Acts: Gender, Representation, and race in contemporary feminist theatre, Raima Evan of the University of Pennsylvania explores popular and
Fefu and Her Friends (2,179 words) [view diff] case mismatch in snippet view article find links to article
Retrieved 2020-08-03 – via JSTOR. Dempsey, Shauna (2015). "Staging Feminist Theatre". Herizons. Vol. 20 no. 3. Herizons Magazine, Inc. p. 12 – via ProQuest
Linda Walsh Jenkins (1,213 words) [view diff] exact match in snippet view article find links to article
described by Rosemary Malague in a 2013 book as a "provocative" work in feminist theatre critique. Lesley Ferris describes the essay as "significant" and comments
Janette Steer (856 words) [view diff] case mismatch in snippet view article find links to article
Katherine E. Kelly, "The Actresses' Franchise League Prepares For War: Feminist Theatre in Camouflage" Theatre Survey 35(1)(May 1994): 121-137. "Actresses"
Margaret Nevinson (1,476 words) [view diff] exact match in snippet view article find links to article
campaigns. The play was revived in 1979 by Mrs Worthington's Daughters, a feminist theatre company, directed by Julie Holledge in a double-bill with Susannah
Françoise Berd (1,234 words) [view diff] exact match in snippet view article find links to article
Encyclopedia of Canadian Theatre, this piece was a "masterpiece of feminist theatre, which caused a sensation at its creation, not only due to its bluntness
Zorica Jevremović (1,277 words) [view diff] exact match in snippet view article find links to article
public figures, and blind persons. 1997–1999: "WAY 5a" („PUT 5a”), Feminist theatre in an apartment occupied by Autonomous Women's Center Against Sexual
Carol Fischer Sorgenfrei (1,146 words) [view diff] exact match in snippet view article find links to article
play was produced as an equity showcasing by La Luna Productions—a feminist theatre company she cofounded to promote empowering stories through kabuki
Julie Lyonn Lieberman (1,546 words) [view diff] exact match in snippet view article find links to article
residencies across the country, and became the composer-in-residence for the feminist theatre company, Emmatroupe. Its writers and supporters included Kate Millet
Yulia Tsvetkova (1,816 words) [view diff] exact match in snippet view article find links to article
20 November 2019. Retrieved 3 July 2020. "In Russia's far east, a feminist theatre director comes under attack". openDemocracy. "The Kremlin's Political
J. E. Franklin (2,998 words) [view diff] case mismatch in snippet view article find links to article
attended. In 1966, she wrote Two Flowers, which was produced by the New Feminist Theatre. She also wrote the Mau Mau Room in 1966. From 1967 to 1968 she worked
Glenda Dickerson (899 words) [view diff] case mismatch in snippet view article find links to article
Retrieved March 18, 2023. Long, Khalid Yaya (2019). "Chapter 31: The Black Feminist Theatre of Glenda Dickerson". In Perkins, Kathy A.; Richards, Sandra L.; Craft
Meeting Ground Theatre Company (1,287 words) [view diff] case mismatch in snippet view article find links to article
Issues 16-19. The Co-op. 1986. p. 46. Elaine Aston (5 July 2005). Feminist Theatre Practice: A Handbook. Routledge. pp. 204–. ISBN 978-1-134-77151-6.