Find link

language:

jump to random article

Find link is a tool written by Edward Betts.

searching for Heinrich Wölfflin 8 found (105 total)

alternate case: heinrich Wölfflin

Indeterminacy (music) (1,843 words) [view diff] exact match in snippet view article

form" in music is also used in the sense defined by the art historian Heinrich Wölfflin (1915) to mean a work which is fundamentally incomplete, represents
Leo Blumenreich (721 words) [view diff] exact match in snippet view article find links to article
the Friedrich Wilhelms University in Berlin and was a student of Heinrich Wölfflin and Max J. Friedländer, with whom he had a lifelong friendship. On
Bice Curiger (1,125 words) [view diff] exact match in snippet view article find links to article
of the Order of Arts and Letters (France)[citation needed] 2007 – Heinrich Wölfflin Medal of the City of Zurich 2009 – SI Award of the Swiss Institute
Carola Giedion-Welcker (620 words) [view diff] exact match in snippet view article find links to article
Mary Legien (1865–1919). She studied art history in Munich under Heinrich Wölfflin, and in Bonn with Paul Clemen. She received her doctorate in Bonn
Ulrich Pfisterer (art historian) (1,146 words) [view diff] exact match in snippet view article
Matteo Burioni and Burcu Dogramaci: Kunstgeschichten 1915. 100 Jahre Heinrich Wölfflin: Kunstgeschichtliche Grundbegriffe. Dietmar Klinger Verlag, Passau
Franz Landsberger (656 words) [view diff] exact match in snippet view article find links to article
through Germany, England and France, and after further studies with Heinrich Wölfflin in Berlin, Landsberger habilitated in Breslau in 1912. This marriage
Orpheus (7,576 words) [view diff] exact match in snippet view article find links to article
Ovid, trans. A. S. Kline (2000). Ovid: The Metamorphoses. Book XI. Heinrich Wölfflin (2013). Drawings of Albrecht Dürer. Courier Dover. pp. 24–25. ISBN 978-0-486-14090-2
Nigel Konstam (3,066 words) [view diff] exact match in snippet view article find links to article
because it alters the foundations of art history as taught today e.g. Heinrich Wölfflin, Principles of Art History. The assumption has previously been that