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searching for Howard Gable 8 found (38 total)

alternate case: howard Gable

I'll Be Gone (Spectrum song) (1,134 words) [view diff] exact match in snippet view article

song was written by guitarist and vocalist Mike Rudd, and produced by Howard Gable. The B-side, "Launching Place Part Two" was written to promote a music
Johnny Farnham Sings the Shows (149 words) [view diff] exact match in snippet view article find links to article
Shows Studio album by Johnny Farnham Released June 1972 Recorded 1971/1972 Genre Pop Label Axis Records Producer Howard Gable Johnny Farnham chronology
The Sherbet Phenomenon (55 words) [view diff] exact match in snippet view article find links to article
Sherbet Released late 1980 Genre Rock, pop Label Hammard Records Producer Howard Gable, Pat Austin, Ross Linton, Tweed Harris, Richard Batchens, Sherbet Sherbet
Johnny (John Farnham album) (654 words) [view diff] exact match in snippet view article
by Johnny Farnham Released August 1971 Recorded January–May 1971 Genre Pop Label His Master's Voice/EMI Producer Howard Gable Johnny Farnham chronology
Sherbet discography (512 words) [view diff] exact match in snippet view article find links to article
Records (INL-34725), Festival Records Formats: LP, Cassette Producer: Howard Gable, Pat Austin, Ross Linton 66 — — AUS: Gold 1973 On with the Show Released:
Richard Batchens (898 words) [view diff] exact match in snippet view article find links to article
(FK-4286) 1972 Sherbet Time Change... A Natural Progression Co-producer with Howard Gable, Pat Austin, Ross Linton Infinity/Festival (INL 34725, L34725 LP) 1973
The Masters Apprentices (9,298 words) [view diff] exact match in snippet view article find links to article
a short but successful collaboration with New Zealand-born producer Howard Gable. The bubblegum pop A-side, "Linda Linda" fell into the same faux-music
Jim Keays (4,700 words) [view diff] exact match in snippet view article find links to article
single, "Turn Up Your Radio", co-written by Keays and Ford, produced by Howard Gable, and engineered by Ern Rose. It was recorded at a late-night session