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searching for Marina Frolova-Walker 8 found (21 total)

Strastnaya Sedmitsa (Grechaninov) (208 words) [view diff] exact match in snippet view article

in the a cappella writing of the late Moscow School composers. " Marina Frolova-Walker - Russian music and nationalism: from Glinka to Stalin 2007 -- Page

Gohar Gasparyan (248 words) [view diff] exact match in snippet view article find links to article

wide range of Armenian music including concertized sacred music. Marina Frolova-Walker (2016). Stalin's Music Prize: Soviet Culture and Politics. Yale

René Jacobs (1,254 words) [view diff] exact match in snippet view article find links to article

Pentatone PTC 5186759 (2020) BBC Radio 3 Record Review Choice of Marina Frolova-Walker 03/10/2020 Schütz – Christmas Oratorio (awards: Diapason d'or; Un

The Golden Cockerel (3,136 words) [view diff] exact match in snippet view article find links to article

coq d'or' for violin and piano based on themes from the suite. Marina Frolova-Walker points to The Golden Cockerel as the fore-runner of the anti-psychologistic

Simon Morrison (2,077 words) [view diff] exact match in snippet view article find links to article

Censored and Uncensored.” In Rimsky-Korsakov and His World, edited by Marina Frolova-Walker (Princeton: Princeton University Press, 2018), 177–95. “Experience

Alexander Glazunov (3,266 words) [view diff] exact match in snippet view article find links to article

York: Knopf, 1925, 3rd ed. 1942). ISBN n/a. Norris, Geoffrey and Marina Frolova-Walker, "Glazunov, Aleksandr Konstantinovich" in New Grove Schwarz, Boris

Georgii Nelepp (1,898 words) [view diff] exact match in snippet view article find links to article

Bolshoi Digest of 21 April 2014. Retrieved 28 April 2020. Walker, Marina Frolova-Walker. 2016. Stalin's Music Prize: Soviet Culture and Politics. (New Haven:

Liudmila Kovnatskaya (5,684 words) [view diff] exact match in snippet view article find links to article

correspondence. In: Russian Music since 1917 / ed. by Patrick Zuk and Marina Frolova-Walker. Oxford : Oxford University Press, 2017. P. 269–79. Benjamin Britten