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searching for Music Theory Spectrum 70 found (158 total)

Maximal evenness (599 words) [view diff] exact match in snippet view article find links to article

Norman and Clampitt, David (1989). "Aspects of Well-Formed Scales", Music Theory Spectrum 11: 187–206. Clough, John; Douthett, Jack (1991). "Maximally Even

Air Above Mountains (1,269 words) [view diff] exact match in snippet view article find links to article

Jazz". Music Theory Spectrum. 12 (2): 181–202. Block, Steven (Autumn 1990). "Pitch-Class Transformation in Free Jazz". Music Theory Spectrum. 12 (2):

Complexe sonore (166 words) [view diff] exact match in snippet view article find links to article

Dmitri (Spring 2002). "Stravinsky and the Octatonic: A Reconsideration" (PDF). Music Theory Spectrum. 24 (1): 68–102. doi:10.1525/mts.2002.24.1.68. v t e

Windows (composition) (409 words) [view diff] exact match in snippet view article

of the 1960s". Music Theory Spectrum 38, no. 1: 16-36. Waters, Keith. 2016. "Chick Corea and Postbop Harmony". Music Theory Spectrum 38, no. 1: 37-57

Images pour orchestre (793 words) [view diff] exact match in snippet view article find links to article

"Tonality and Form in Debussy's Prélude à 'L'Après-midi d'un faune". Music Theory Spectrum. 15 (2): 127–143. doi:10.1525/mts.1993.15.2.02a00010. JSTOR 745811

Wallace Berry (800 words) [view diff] exact match in snippet view article find links to article

Quarterly 54/3 (1968): 287-308. "On Structural Levels in Music," Music Theory Spectrum 2 (1980): 19-45. "Text and Music in the Alto Rhapsody," Journal

Avo Sõmer (764 words) [view diff] exact match in snippet view article find links to article

"Chromatic Third-Relations and Tonal Structure in the Songs of Debussy." Music Theory Spectrum 17, No. 2. (Autumn,): 215–41. 1999. "Imagery, digression, and coherence

Ænema (332 words) [view diff] exact match in snippet view article find links to article

Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music". Music Theory Spectrum. 35 (1): 45. doi:10.1525/mts.2013.35.1.23. hdl:1808/19147. Archived

Riff (1,148 words) [view diff] exact match in snippet view article find links to article

Neo-Riemannian Theory and the Analysis of Pop-Rock Music, pp. 186–187, Music Theory Spectrum, Vol. 26, No. 2, pp. 177–199. Autumn 2004. Capuzzo uses "+" to indicate

William Caplin (1,789 words) [view diff] exact match in snippet view article find links to article

Die schöne Müllerin," Music Theory Spectrum 36/1 (2014): 58–85. Stephen Rodgers, "Schubert’s Idyllic Periods," Music Theory Spectrum 39/2 (2017): 223–46

Patricia Carpenter (music theorist) (602 words) [view diff] exact match in snippet view article

Music Theory 17 (1973):2-65. "Grundgestalt as Tonal Function," Music Theory Spectrum 5 (1983):15-38. "Musical Form and the Musical Idea: Reflections

Polychord (543 words) [view diff] exact match in snippet view article find links to article

(Autumn, 2004). "A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan", pp. 208–09, Music Theory Spectrum, Vol. 26, No. 2, pp. 201–35.

Ramifications (Ligeti) (459 words) [view diff] exact match in snippet view article

"Harmonic and Formal Processes in Ligeti's Net-Structure Compositions". Music Theory Spectrum. 17 (2): 242–267. doi:10.1525/mts.1995.17.2.02a00050. Corey, Charles

Melodic expectation (2,262 words) [view diff] exact match in snippet view article find links to article

Listening Ahead: Analytical Engagements with Musical Tendencies". Music Theory Spectrum. 29 (2): 197–217. doi:10.1525/mts.2007.29.2.197. Jean-Jacques Nattiez

Musical form (2,894 words) [view diff] exact match in snippet view article find links to article

Structure", Music Theory Spectrum 15: 1-18. Smith, Peter. 1994. "Brahms and Schenker: A Mutual Response to Sonata Form", Music Theory Spectrum 16: 77-103

Piano-Rag-Music (224 words) [view diff] exact match in snippet view article find links to article

1982). "Structural Coherence in Stravinsky's "Piano-Rag-Music"". Music Theory Spectrum. 4. Oxford University Press, Society for Music Theory: 76–91. doi:10

Primary triad (446 words) [view diff] exact match in snippet view article find links to article

Deborah Rifkin. "A Theory of Motives for Prokofiev's Music", p.274, Music Theory Spectrum, Vol. 26, No. 2 (Autumn, 2004), pp. 265-289. University of California

Magyar Etüdök (569 words) [view diff] exact match in snippet view article find links to article

"Harmonic and Formal Processes in Ligeti's Net-Structure Compositions". Music Theory Spectrum. 17 (2): 242–267. doi:10.1525/mts.1995.17.2.02a00050. Pollock, Matt

Movements for Piano and Orchestra (642 words) [view diff] exact match in snippet view article find links to article

Twelve-Tone Loom: Precomposition and Composition in Movements". Music Theory Spectrum. 16 (1 (Spring)): 62–76. doi:10.1525/mts.1994.16.1.02a00030.[page needed]

Pattern completion (73 words) [view diff] exact match in snippet view article find links to article

Bartók. ISBN 0-300-05111-5. Straus, Joseph (1982). "A Principle of Voice Leading in the Music of Stravinsky", Music Theory Spectrum 4, p. 106-124. v t e

Cardinality equals variety (314 words) [view diff] exact match in snippet view article find links to article

Norman and Clampitt, David (1989). "Aspects of Well-Formed Scales", Music Theory Spectrum 29: 249-70. Agmon, Eytan (1989). "A Mathematical Model of the Diatonic

Cyclic set (269 words) [view diff] exact match in snippet view article find links to article

ISBN 0-520-20142-6. Perle, George (1993). "Letter from George Perle", Music Theory Spectrum, Vol. 15, No. 2 (Autumn), pp. 300-303. Perle (1996), p.22. Perle

Carl Friedrich Weitzmann (836 words) [view diff] exact match in snippet view article find links to article

"Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes," Music Theory Spectrum 22 (2000), 89 -103. Todd, R. Larry, "Franz Liszt, Carl Friedrich

Mode of limited transposition (1,901 words) [view diff] exact match in snippet view article find links to article

of Harmony and Voice Leading for the Music of Olivier Messiaen". Music Theory Spectrum 27, no. 1 (Spring): 1–34. Schuster-Craig, John. 1990. "An Eighth

Piano Sonata in E minor, D 566 (Schubert) (319 words) [view diff] exact match in snippet view article

the Interpretation of Schubert's Impromptus and Last Sonatas". Music Theory Spectrum. 25 (2): 388–400. doi:10.1525/mts.2003.25.2.388. JSTOR 10.1525/mts

Cantata (Stravinsky) (552 words) [view diff] exact match in snippet view article

1999. "Stravinsky's 'Construction of Twelve Verticals': An Aspect of Harmony in the Serial Music". Music Theory Spectrum 21, no. 1 (Spring): 43–73.

Piano Concerto No. 18 (Mozart) (597 words) [view diff] exact match in snippet view article

1995). "Form, Genre, and Style in the Eighteenth-Century Rondo". Music Theory Spectrum. 17 (1): 27–52. doi:10.1525/mts.1995.17.1.02a00020. JSTOR 745763

Prison Sex (675 words) [view diff] exact match in snippet view article find links to article

Paradigm: Terminally Climactic Song Forms in Recent Rock Music". Music Theory Spectrum. 35 (1): 24. doi:10.1525/mts.2013.35.1.23. hdl:1808/19147. Toolshed

François-Joseph Fétis (3,410 words) [view diff] exact match in snippet view article find links to article

Tonality as a Metaphysical Principle: Hypothesis for a New Science." Music Theory Spectrum, Vol. 13, No. 2 (Autumn, 1991), p. 219-240. Both the Dahlhaus and

Triad (music) (1,260 words) [view diff] exact match in snippet view article

ISBN 0-226-31808-7. Cited on p. 274 of Deborah Rifkin, "A Theory of Motives for Prokofiev's Music", Music Theory Spectrum 26, no. 2 (2004): 265–289.

Edward T. Cone (3,478 words) [view diff] exact match in snippet view article find links to article

201- 16. "Musical Form and Musical Performance Reconsidered." Music Theory Spectrum 7 (1985): 149–58. "A Tribute to Roger Sessions." Kent Quarterly

Faschingsschwank aus Wien (763 words) [view diff] exact match in snippet view article find links to article

(Spring 1998). "Symmetrical Form and Common-Practice Tonality". Music Theory Spectrum. 20 (1): 1–47. doi:10.1525/mts.1998.20.1.02a00010. JSTOR 746155

Symmetric scale (521 words) [view diff] exact match in snippet view article find links to article

1993). "Early Indian Heptatonic Scales and Recent Diatonic Theory". Music Theory Spectrum. 15 (1): 48. doi:10.1525/mts.1993.15.1.02a00030. pp. 36-58. Patel

Thirteenth (1,107 words) [view diff] exact match in snippet view article find links to article

Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan". Music Theory Spectrum. 26 (2): 205. doi:10.1525/mts.2004.26.2.201. Hal Leonard Corp. (2003)

Piano Sonata in A minor, D 537 (Schubert) (429 words) [view diff] exact match in snippet view article

the Interpretation of Schubert's Impromptus and Last Sonatas". Music Theory Spectrum. 25 (2): 388–400. doi:10.1525/mts.2003.25.2.388. Tirimo, Martino

John Rahn (306 words) [view diff] exact match in snippet view article find links to article

ISBN 90-5701-332-0. OCLC 154331400. Rahn, John (1989, "New Research Paradigms", Music Theory Spectrum, xi/1), 84-94. Nelson, Paul (2004). "Two Algorithms for Computing

Ellie Hisama (1,450 words) [view diff] exact match in snippet view article find links to article

" Jazz & Culture 3, no. 2 (Fall 2020), [11] "Getting to Count," Music Theory Spectrum 43, no. 2 (2021). [12] “For the Daughters of Harlem: Bridging Campus

Melharmony (1,843 words) [view diff] exact match in snippet view article find links to article

of Melharmony: An Inquiry into Harmony in South Indian Ragas," Music Theory Spectrum, 28/2:255-76. "National : Unique classical fusion". The Hindu. 2004-07-26

String Quartet No. 16 (Mozart) (429 words) [view diff] exact match in snippet view article

Themes within a Chromaticized Voice Exchange in Mozart Expositions" Music Theory Spectrum 19 1 (1997): 11 - 12, footnote 12. "An analogous contiguous enharmonic

Béla Bartók (8,053 words) [view diff] exact match in snippet view article find links to article

"Inversional Symmetry and Transpositional Combination in Bartók." Music Theory Spectrum 10:19–42. Cooper, David. 2015. Béla Bartók. New Haven and London:

Generated collection (570 words) [view diff] exact match in snippet view article find links to article

Norman and Clampitt, David (1989). "Aspects of Well-Formed Scales", Music Theory Spectrum 11: 187–206. Clough, Engebretsen, and Kochavi. "Scales, Sets, and

Threnody to the Victims of Hiroshima (1,220 words) [view diff] exact match in snippet view article find links to article

Penderecki's Threnody: Analysis, Ear-Training, and Musical Understanding". Music Theory Spectrum. 38 (2): 200–217. doi:10.1093/mts/mtw015. ISSN 0195-6167. Kałużny

Karma Police (2,028 words) [view diff] exact match in snippet view article find links to article

Verse–Chorus Paradigm: Terminally Climactic Form in Recent Rock Music." Music Theory Spectrum 35, no. 1, pp. 23–47. Randall, Mac (2000). Exit Music: The Radiohead

Root (chord) (2,526 words) [view diff] exact match in snippet view article

Invertibility and its Application in Contemporaneous Rules of Composition", Music Theory Spectrum, p. 67. Latarski, Don (1999). Ultimate Guitar Chords: First Chords

Function (music) (2,669 words) [view diff] exact match in snippet view article

"Functional Harmony Revisited: A Prototype-Theoretic Approach", Music Theory Spectrum 17/2 (Autumn 1995), pp. 202-203. William Caplin, Analyzing Classical

Carl Schachter (929 words) [view diff] exact match in snippet view article find links to article

Pedagogy 8 (1994), pp. 27-45. "The Triad as Place and Action". Music Theory Spectrum 17/2 (1995), pp. 149–169. "Structure as Foreground: 'das Drama des

Three-key exposition (751 words) [view diff] exact match in snippet view article find links to article

Hunt; When Structure and Design Collide: The Three-Key Exposition Revisited, Music Theory Spectrum, Volume 36, Issue 2, 1 December 2014, Pages 247–269.

La fille aux cheveux de lin (1,767 words) [view diff] exact match in snippet view article find links to article

(Fall 2009). "Debussy, Pentatonicism, and the Tonal Tradition". Music Theory Spectrum. 31 (2). University of California Press on behalf of the Society

Shine On You Crazy Diamond (4,166 words) [view diff] exact match in snippet view article find links to article

Triumph": Pink Floyd's "Shine On" and the Stage Theory of Grief". Music Theory Spectrum. 40 (1): 106–120. doi:10.1093/mts/mty011. ISSN 0195-6167. Jones

W. A. Mathieu (1,352 words) [view diff] exact match in snippet view article find links to article

Harmonic Experience. Rochester, Vermont: Inner Traditions, 1997". Music Theory Spectrum. 24 (1): 121–134. doi:10.1525/mts.2002.24.1.121. ISSN 0195-6167

Pann (1,322 words) [view diff] exact match in snippet view article find links to article

"Scale and Mode in the Music of the Early Tamils of South India", Music Theory Spectrum, 22 (2): 135–156, doi:10.1525/mts.2000.22.2.02a00010, JSTOR 745957

Pentatonic scale (4,766 words) [view diff] exact match in snippet view article find links to article

(2009). "Debussy, Pentatonicism, and the Tonal Tradition" (PDF). Music Theory Spectrum. 31 (2): 225–261. doi:10.1525/mts.2009.31.2.225. Archived (PDF)

Davidsbündler (963 words) [view diff] exact match in snippet view article find links to article

"Principles of Formal Structure in Schumann's Early Piano Cycles". Music Theory Spectrum. 11 (2): 207–225. doi:10.2307/745936. ISSN 0195-6167. David Ewen

Tritone substitution (1,900 words) [view diff] exact match in snippet view article find links to article

Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan", Music Theory Spectrum, Vol. 26, No. 2, pp. 201-235 Owens, Thomas (1996). Bebop. Oxford

Twelve-tone technique (4,324 words) [view diff] exact match in snippet view article find links to article

and a Principle of Form for Anton Webern's Twelve-tone Music". Music Theory Spectrum. 41 (2): 218–243. doi:10.1093/mts/mtz010. ISSN 0195-6167. Moseley

Royal road progression (1,883 words) [view diff] exact match in snippet view article find links to article

(2023). "The Royal Road Progression in Japanese Popular Music". Music Theory Spectrum. 45 (2): 238–256. doi:10.1093/mts/mtad008. 大須賀淳 (2014). 作りながらおぼえる作曲術入門

Quartal and quintal harmony (4,231 words) [view diff] exact match in snippet view article find links to article

Cycles as Compositional Resources in the Music of Charles Ives". Music Theory Spectrum 12, no. 1 (Spring): 43–82. Lambert, J. Phillip (1996). "Ives and

Surrealism (11,622 words) [view diff] exact match in snippet view article find links to article

ofParody and the Grotesque in György Ligeti's Le Grand Macabre". Music Theory Spectrum. 31/1: 26–56. doi:10.1525/mts.2009.31.1.26. Sholl, Robert (2007)

Creep (Radiohead song) (6,131 words) [view diff] exact match in snippet view article

"Neo-Riemannian Theory and the Analysis of Pop-Rock Music", p.186–87, Music Theory Spectrum, Vol. 26, No. 2, pp. 177–199. Autumn 2004. Capuzzo uses "+" to indicate

Olivier Messiaen (8,561 words) [view diff] exact match in snippet view article find links to article

Nonretrogradable Structure in the Birdsong of Olivier Messiaen". Music Theory Spectrum 30, no. 1 (Spring): 89–137. Schloesser, Stephen (2014). Visions

Music of India (10,891 words) [view diff] exact match in snippet view article find links to article

"Scale and Mode in the Music of the Early Tamils of South India", Music Theory Spectrum, 22 (2): 135–156, doi:10.1525/mts.2000.22.2.02a00010, JSTOR 745957

Three-gap theorem (3,000 words) [view diff] exact match in snippet view article find links to article

Clampitt, David (October 1989), "Aspects of well-formed scales", Music Theory Spectrum, 11 (2): 187–206, doi:10.2307/745935, JSTOR 745935 Strohm, Reinhard;

The Amory Wars (6,057 words) [view diff] exact match in snippet view article find links to article

Verse/Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music"". Music Theory Spectrum. 35 (1): 37. doi:10.1525/mts.2013.35.1.23. hdl:1808/19147. Sanchez

Arsis and thesis (2,615 words) [view diff] exact match in snippet view article find links to article

Mathiesen, Thomas J. (1985). "Rhythm and Meter in Ancient Greek Music". Music Theory Spectrum, Vol. 7, Time and Rhythm in Music (Spring, 1985), pp. 159-180. Moreno

Karlheinz Stockhausen (16,725 words) [view diff] exact match in snippet view article find links to article

Christoph. 2005. "Joseph N. Straus. Stravinsky's Late Music". Music Theory Spectrum 27:336–53. Nordin, Ingvar Loco. 2004. "George Crumb, Makrokosmos

Matthew Brown (academic) (1,050 words) [view diff] exact match in snippet view article

Tonality and Form in Debussy's Prélude à "L'Après-midi d'un faune". Music Theory Spectrum, 15(2), 127–143. Brown, M. (2010). C. P. E. Bach, Schenker, Improvisation

Schubert's last sonatas (12,660 words) [view diff] exact match in snippet view article find links to article

the Interpretation of Schubert's Impromptus and Last Sonatas". Music Theory Spectrum. 25 (2): 388–400. doi:10.1525/mts.2003.25.2.388. "Schubert's Cry

Alexander Rehding (2,915 words) [view diff] exact match in snippet view article find links to article

and Repertoire; Or, Riemann’s Functions—Beethoven’s Function,” Music Theory Spectrum 29/2 (2011): 109-123. "Ecomusicology between Apocalypse and Nostalgia:

Society for Music Analysis (742 words) [view diff] exact match in snippet view article find links to article

Arnold (2011). "Being Courteous: The View from the Old Country". Music Theory Spectrum. 33 (2): 222–225. doi:10.1525/mts.2011.33.2.222. Dunsby, Jonathan

Time Out of Mind (Steely Dan song) (2,700 words) [view diff] exact match in snippet view article

Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan". Music Theory Spectrum. 26 (2): 220. doi:10.1525/mts.2004.26.2.201. ISSN 0195-6167. JSTOR 10