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alternate case: paris Opera

Grand opera (3,041 words) [view diff] no match in snippet view article find links to article

productions of the Paris Opéra from the late 1820s to around 1860; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand
2018 Paris knife attack (1,275 words) [view diff] no match in snippet view article find links to article
50m 55yds    On 12 May 2018, a 20-year-old Chechnya-born French citizen, armed with a knife, killed one pedestrian and injured four others near the Palais
Le siège de Corinthe (1,625 words) [view diff] no match in snippet view article find links to article
L'assedio di Corinto) and was first given at the Salle Le Peletier of the Paris Opéra on 9 October 1826 The opera commemorates the siege and ultimate destruction
Opéra-Comique (3,330 words) [view diff] case mismatch in snippet view article find links to article
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was
William Tell (opera) (3,950 words) [view diff] no match in snippet view article
of a storm and a vivacious finale, the "March of the Swiss Soldiers". Paris Opéra archivist Charles Malherbe discovered the original orchestral score of
Iphigénie en Aulide (1,364 words) [view diff] no match in snippet view article find links to article
Iphigenia in Aulis by Euripides. It was premiered on 19 April 1774 by the Paris Opéra in the second Salle du Palais-Royal and revived in a slightly revised
Mavra (904 words) [view diff] no match in snippet view article find links to article
was a failure at the premiere, partly because the large space of the Paris Opéra overwhelmed the small scale of the opera. One critic, Émile Vuillermoz
Le Cid (opera) (1,645 words) [view diff] no match in snippet view article
Pierre Corneille. It was first performed by a star-studded cast at the Paris Opéra on 30 November 1885 in the presence of President Grévy, with Jean de
Le Mage (619 words) [view diff] no match in snippet view article find links to article
to a French libretto by Jean Richepin. It was first performed at the Paris Opéra in Paris on 16 March 1891 in costumes by Charles Bianchini and sets by
Iphigénie en Tauride (3,530 words) [view diff] no match in snippet view article find links to article
May 1779 by the Paris Opéra at the second Salle du Palais-Royal and was a great success. Some think that the head of the Paris Opéra, Devismes, had attempted
Les vêpres siciliennes (3,658 words) [view diff] no match in snippet view article find links to article
trovatore and La traviata of 1850 to 1853 and was first performed at the Paris Opéra on 13 June 1855. Today the opera is performed both in the original French
The Dancing Class (130 words) [view diff] no match in snippet view article find links to article
Degas's "ballet pictures". The painting depicts a dancing class at the Paris Opéra. The dancer in the center is Joséphine Gaujelin (or Gozelin). The Ballet
Maurice Lehmann (130 words) [view diff] no match in snippet view article find links to article
Maurice Lehmann (1895–1974) was a French actor, director and producer of the stage and screen. He starred in the 1923 film Koenigsmark in which he played
Georges Auric (1,560 words) [view diff] no match in snippet view article find links to article
Georges Auric (French: [ɔʁik]; 15 February 1899 – 23 July 1983) was a French composer, born in Lodève, Hérault, France. He was considered one of Les Six
Ariane (Massenet) (310 words) [view diff] no match in snippet view article
only limited revivals in 1937 (21 February and 27 August 1937) at the Paris Opéra. Recently it has received performances in a new production at the Massenet
Dom Sébastien (1,127 words) [view diff] no match in snippet view article find links to article
opera premiered on 13 November 1843 at the Salle Le Peletier of the Paris Opéra. This was the last opera that Donizetti completed before going insane
Les Deux Pigeons (ballet) (1,161 words) [view diff] no match in snippet view article
Pigeons by Jean de La Fontaine. The work was first performed at the Paris Opéra on 18 October 1886. The premiere cast included Rosita Mauri as Gourouli
Médée (Charpentier) (908 words) [view diff] no match in snippet view article
Médée is a tragédie mise en musique in five acts and a prologue by Marc-Antoine Charpentier to a French libretto by Thomas Corneille. It was premiered
Idoménée (452 words) [view diff] no match in snippet view article find links to article
Idoménée (English: Idomeneus) is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts.
The Nightingale (opera) (1,091 words) [view diff] no match in snippet view article
The Nightingale (Russian: Соловей, romanized: Solovey) is a short opera in three acts by Igor Stravinsky to a Russian-language libretto by him and Stepan
François-Joseph Gossec (1,083 words) [view diff] no match in snippet view article find links to article
François-Joseph Gossec (17 January 1734 – 16 February 1829) was a French composer of operas, string quartets, symphonies, and choral works. The son of
Perséphone (Stravinsky) (373 words) [view diff] no match in snippet view article
Perséphone (Persephone) is a musical work (mélodrame) for speaker, solo singers, chorus, dancers and orchestra with music by Igor Stravinsky and a libretto
Pâquerette (228 words) [view diff] no match in snippet view article find links to article
Pâquerette is a ballet in three acts, with choreography by Arthur Saint-Léon and music by François Benoist. The ballet was first presented by the Ballet
Thaïs (opera) (1,980 words) [view diff] no match in snippet view article
Thaïs (French pronunciation: [ta.is]) is an opera, a comédie lyrique in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis
Le Diable à quatre (ballet) (431 words) [view diff] no match in snippet view article
Le Diable à quatre is a ballet in two acts and three scenes (or in three acts), with choreography by Joseph Mazilier, music by Adolphe Adam, and libretto
Pierre Bergé (2,586 words) [view diff] no match in snippet view article find links to article
Pierre Vital Georges Bergé (French pronunciation: [pjɛʁ vital ʒɔʁʒ bɛʁʒe]; 14 November 1930 – 8 September 2017) was a French industrialist and patron.
Giovanni Battista Viotti (1,661 words) [view diff] no match in snippet view article find links to article
Giovanni Battista Viotti (12 May 1755 – 3 March 1824) was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent
La muette de Portici (2,662 words) [view diff] no match in snippet view article find links to article
Revolution of 1830. The opera was first given at the Salle Le Peletier of the Paris Opéra on 29 February 1828. The role of Masaniello was taken by the famous tenor
Le marchand de Venise (276 words) [view diff] no match in snippet view article find links to article
the soprano Mary Garden in mind. The opera was first performed at the Paris Opéra, on 25 March 1935. It was revived at the Opéra on 18 November 1949 and
Jérusalem (3,955 words) [view diff] no match in snippet view article find links to article
(sets for Act II, scene 2 and Act III, scene 2). The director of the Paris Opéra, Léon Pillet, had invited Verdi to compose an opera for the company in
Zaïs (271 words) [view diff] no match in snippet view article find links to article
Zaïs is an opera by Jean-Philippe Rameau first performed on 29 February 1748 at the Opéra in Paris. It takes the form of a pastorale héroïque in four acts
Le Corsaire (3,424 words) [view diff] no match in snippet view article find links to article
Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the
Positions of the feet in ballet (501 words) [view diff] no match in snippet view article find links to article
codified by Serge Lifar in the 1930s while serving as Ballet Master at the Paris Opéra Ballet, though their use is limited to Lifar's choreographies. The sixth
Écho et Narcisse (352 words) [view diff] no match in snippet view article find links to article
Narcissus. Écho et Narcisse was first performed on 24 September 1779 by the Paris Opéra in the second Salle du Palais-Royal. The opera is in the pastoral tradition
L'enfant prodigue (Auber) (222 words) [view diff] no match in snippet view article
L'enfant prodigue (The Prodigal Son) is a grand opera in five acts composed by Daniel Auber to a French libretto by Eugène Scribe based on the Parable
Passage du Havre (125 words) [view diff] exact match in snippet view article find links to article
district. The passage is near Gare Saint-Lazare and opposite the Hilton Paris Opera (the station's hotel). It begins at Place du Havre and leads onto Rue
Tancrède (307 words) [view diff] no match in snippet view article find links to article
Tancrède is a 1702 tragédie en musique (a French opera in the lyric tragedy tradition) in a prologue and five acts by composer André Campra and librettist
Gustave III (Auber) (993 words) [view diff] no match in snippet view article
Scribe. It received its first performance at the Salle Le Peletier of the Paris Opéra on 27 February 1833, with costumes designed by Eugène Lami and Paul Lormier
Les martyrs (6,658 words) [view diff] no match in snippet view article find links to article
Donizetti became angry at this decision and, with a commission from the Paris Opéra due, he paid the penalty to the San Carlo for not producing an original
Salle Favart (579 words) [view diff] case mismatch in snippet view article find links to article
The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from
François Rebel (103 words) [view diff] exact match in snippet view article find links to article
he was a child prodigy who became a violinist in the orchestra of the Paris Opera at the age of 13. As a composer he is best known for his close collaboration
L'Europe galante (198 words) [view diff] no match in snippet view article find links to article
narrative. L'Europe Galante was first performed on 24 October 1697 by the Paris Opéra under Marin Marais in the Salle du Palais-Royal in Paris. It was successful
List of operas by Jules Massenet (105 words) [view diff] no match in snippet view article find links to article
opéra comique 1 act Jules Adenis and Charles Granvallet 3 April 1867 Paris, Opéra-Comique (Favart 2) Manfred opéra Jules Ruelle, after Byron's Manfred
La mort d'Abel (1,212 words) [view diff] no match in snippet view article find links to article
version at the Salle Montansier by the Académie Impériale de Musique (the Paris Opéra) on 23 March 1810 under the title Abel. A revival at the Salle Le Peletier
The Dance Class (Degas, Metropolitan Museum of Art) (207 words) [view diff] exact match in snippet view article
the supervision of Jules Perrot, a famous ballet master, in the old Paris Opera, which had actually burnt down the previous year. The poster on the wall
L'Europe galante (198 words) [view diff] no match in snippet view article find links to article
narrative. L'Europe Galante was first performed on 24 October 1697 by the Paris Opéra under Marin Marais in the Salle du Palais-Royal in Paris. It was successful
Bacchus (opera) (769 words) [view diff] no match in snippet view article
Bacchus is an opera in four acts by Jules Massenet to a French libretto by Catulle Mendès after Greek mythology. It was first performed at the Palais Garnier
Noé (opera) (153 words) [view diff] no match in snippet view article
during his last years (1858–1862), but left it unfinished after the Paris Opéra, which had scheduled it for the 1860 season, decided to postpone it after
List of operas by Jules Massenet (105 words) [view diff] no match in snippet view article find links to article
opéra comique 1 act Jules Adenis and Charles Granvallet 3 April 1867 Paris, Opéra-Comique (Favart 2) Manfred opéra Jules Ruelle, after Byron's Manfred
La Cythère assiégée (226 words) [view diff] no match in snippet view article find links to article
version turned it into a three-act opéra-ballet which appeared at the Paris Opéra on 1 August 1775. Gluck resorted to his eponymous opera comique (Vienna
Hérodiade (1,025 words) [view diff] exact match in snippet view article find links to article
opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said
Les Indes galantes (2,899 words) [view diff] exact match in snippet view article find links to article
first two entrées, was staged by the Académie Royale de Musique (today's Paris Opera) at its theatre in the Palais-Royal on 23 August 1735. The leading artists
Iphigénie en Tauride (Desmarets and Campra) (445 words) [view diff] no match in snippet view article
Iphigénie en Tauride (English: Iphigeneia in Tauris) is an opera by the French composers Henri Desmarets and André Campra. It takes the form of a tragédie
Antoine Dauvergne (363 words) [view diff] no match in snippet view article find links to article
Antoine Dauvergne (3 October 1713 – 11 February 1797) was a French composer and violinist. Dauvergne was born in Moulins, Allier. He served as master of
Les fêtes d'Hébé (945 words) [view diff] no match in snippet view article find links to article
Indes galantes, had appeared in 1735. It was first performed at the Paris Opéra on 21 May 1739. The famous dancer Marie Sallé appeared as Terpsichore
The Phantom of the Opera (1925 film) (6,682 words) [view diff] exact match in snippet view article
Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves
Charles Garnier (architect) (2,128 words) [view diff] no match in snippet view article
ISBN 9782858227051. Mead, Christopher Curtis (1991). Charles Garnier's Paris Opéra: Architectural Empathy and the Renaissance of French Classicism. New
Ballet of the Nuns (1,345 words) [view diff] no match in snippet view article find links to article
opera, Robert le diable. It was first performed in November 1831 at the Paris Opéra. The choreography (now lost) was created by Filippo Taglioni. Jean Coralli
André Cardinal Destouches (1,104 words) [view diff] no match in snippet view article find links to article
André Cardinal Destouches (sometimes called des Touches) (baptised 6 April 1672  – 7 February 1749) was a French composer best known for the opéra-ballet
Psyché (opera) (1,617 words) [view diff] no match in snippet view article
Psyché is an opera (tragédie lyrique) in a prologue and five acts composed by Jean-Baptiste Lully to a libretto by Thomas Corneille (adapted from Molière's
Hippolyte et Aricie (4,594 words) [view diff] no match in snippet view article find links to article
year, Michel Montéclair's tragédie en musique Jephté premiered at the Paris Opéra. Rameau was said to be so impressed by the opera that he approached its
Acante et Céphise (884 words) [view diff] no match in snippet view article find links to article
Acante et Céphise, ou La sympathie is an opera by Jean-Philippe Rameau, first performed on 19 November 1751 at the Opéra in Paris. It takes the form of
Le roi de Lahore (1,069 words) [view diff] no match in snippet view article find links to article
Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the
Le roi de Lahore (1,069 words) [view diff] no match in snippet view article find links to article
Le roi de Lahore ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the
Pierre Perrin (255 words) [view diff] no match in snippet view article find links to article
Pierre Perrin (c. 1620 – 24 April 1675) was a French poet and librettist. Perrin, sometimes known as L'Abbé Perrin although he never belonged to the clergy
Gerard Mortier (1,205 words) [view diff] no match in snippet view article find links to article
Gerard Alfons August, Baron Mortier (25 November 1943 – 8 March 2014) was a Belgian opera director and administrator of Flemish origin. Born in Ghent,
Padmâvatî (333 words) [view diff] no match in snippet view article find links to article
Muhammad Jayasi's poem Padmavat (1540). It was first performed at the Paris Opéra on June 1, 1923. Roussel styled the work an opéra-ballet and there are
François Francoeur (1,164 words) [view diff] no match in snippet view article find links to article
friend, were appointed inspecteurs musicaux (music directors) of the Paris Opéra—centre of the French music world—becoming responsible for all phases
2nd arrondissement of Paris (1,053 words) [view diff] no match in snippet view article find links to article
arrondissements, hosts an important business district, centred on the Paris Opéra, which houses the city's most dense concentration of business activities
Emmanuel Dupaty (917 words) [view diff] no match in snippet view article find links to article
line L'Opéra-comique, opéra-comique en 1 acte, en prose et ariettes, Paris, Opéra-comique, 21 messidor an VI (1797) Les Français à Cythère, comédie en
Pulcinella (ballet) (916 words) [view diff] exact match in snippet view article
a stock character from commedia dell'arte. The work premiered at the Paris Opera on 15 May 1920 under the baton of Ernest Ansermet. The central dancer
Nicolas Levasseur (294 words) [view diff] no match in snippet view article find links to article
1811, with Pierre-Jean Garat. He made his professional debut at the Paris Opéra in 1813, as Osman Pacha, in La caravane du Caire by André Grétry. He
The Judgment of Paris (opera) (629 words) [view diff] no match in snippet view article
The Judgment of Paris is an operatic libretto written by William Congreve. It was set by four British Baroque composers – John Weldon, John Eccles, Daniel
Daniel Lesur (498 words) [view diff] no match in snippet view article find links to article
Daniel Jean-Yves Lesur (19 November 1908 – 2 July 2002) was a French organist and composer. He was the son of the composer Alice Lesur. Born in Paris,
Joseph-Nicolas-Pancrace Royer (364 words) [view diff] no match in snippet view article find links to article
directed the Concerts Spirituels, starting in 1748. Royer was at the Paris Opéra during the 1730s and the 1750s, writing six operas himself, of which
Les barbares (154 words) [view diff] no match in snippet view article find links to article
the Roman theatre of Orange, in Provence, but instead premiered at the Paris Opéra Palais Garnier in October 1901. Floria - chief vestal virgin (soprano)
Sigurd (opera) (968 words) [view diff] no match in snippet view article
performed at various concerts. Initial attempts at staging the work at the Paris Opéra failed, therefore the opera had its world premiere in the Théatre de
Giacomo Meyerbeer (9,633 words) [view diff] no match in snippet view article find links to article
Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital
Louis-Benoît Picard (363 words) [view diff] no match in snippet view article find links to article
Louis-Benoît Picard (29 July 1769 in Paris – 31 December 1828 in Paris) was a French playwright, actor, novelist, poet and music director. Son of a lawyer
Louis-Benoît Picard (363 words) [view diff] no match in snippet view article find links to article
Louis-Benoît Picard (29 July 1769 in Paris – 31 December 1828 in Paris) was a French playwright, actor, novelist, poet and music director. Son of a lawyer
Les fêtes de Polymnie (362 words) [view diff] no match in snippet view article find links to article
Les fêtes de Polymnie (The Festivals of Polyhymnia) is an opéra-ballet in three entrées and a prologue by Jean-Philippe Rameau. The work was first performed
Iphigénie en Tauride (Piccinni) (423 words) [view diff] no match in snippet view article
performed on 23 January 1781 by the Académie royale de musique (the Paris Opéra) in the second Salle du Palais-Royal. The opera's libretto, by Alphonse
Magic Fire (738 words) [view diff] exact match in snippet view article find links to article
purposes. One high point was the accurate depiction of the riot at the Paris Opera House for the premiere of the revised version of Tannhäuser. The film
I vespri siciliani (2,241 words) [view diff] no match in snippet view article find links to article
Vespers") is a five-act Italian opera originally written in French for the Paris Opéra by the Italian romantic composer Giuseppe Verdi and translated into Italian
1721 in France (127 words) [view diff] no match in snippet view article find links to article
June 2022. Semmens, Richard Templar (2004). The Bals Publics at the Paris Opéra in the Eighteenth Century. Pendragon Press. p. 29. ISBN 978-1-57647-034-3
Naïs (1,539 words) [view diff] no match in snippet view article find links to article
Naïs is an opera by Jean-Philippe Rameau first performed on 22 April 1749 at the Opéra in Paris. It takes the form of a pastorale héroïque in three acts
Hésione (435 words) [view diff] no match in snippet view article find links to article
Hésione (English: Hesione) is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts. The
Iphigénie en Tauride discography (56 words) [view diff] no match in snippet view article find links to article
Tauride, an opera by Christoph Willibald Gluck, first performed at the Paris Opéra on May 18, 1779. CID: 356065, Met Opera Archive. Iphigénie (2011) at
Reynaldo Hahn (6,966 words) [view diff] no match in snippet view article find links to article
November 1933, and was well received. Hahn's only major commission for the Paris Opéra was the work based on The Merchant of Venice that he had begun composing
Alcine (172 words) [view diff] no match in snippet view article find links to article
Alcine (English: Alcina) is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts. The libretto
Paris Las Vegas (4,916 words) [view diff] exact match in snippet view article find links to article
are featured as well, including the Arc de Triomphe, the Louvre, the Paris Opera House, and the Musée d'Orsay. Construction of Paris Las Vegas began on
1720 in France (220 words) [view diff] no match in snippet view article find links to article
June 2022. Semmens, Richard Templar (2004). The Bals Publics at the Paris Opéra in the Eighteenth Century. Pendragon Press. p. 29. ISBN 978-1-57647-034-3
L'Éclair (385 words) [view diff] no match in snippet view article find links to article
by Jules-Henri Vernoy de Saint-Georges. L'Éclair was premiered by the Paris Opéra-Comique at the Salle de la Bourse on 16 December 1835; Jacques Offenbach
Louis-Désiré Véron (460 words) [view diff] exact match in snippet view article find links to article
is largely known to history for his direction, from 1831-1835, of the Paris Opera. The new government, after the July Revolution of 1830, wished to offload
Alcine (172 words) [view diff] no match in snippet view article find links to article
Alcine (English: Alcina) is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts. The libretto
Hésione (435 words) [view diff] no match in snippet view article find links to article
Hésione (English: Hesione) is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts. The
List of ballets by George Balanchine (980 words) [view diff] no match in snippet view article find links to article
This is a list of ballets by George Balanchine (1904–1983), New York City Ballet co-founder and ballet master. Le Chant du rossignol (The Song of the Nightingale)
L'étoile de Séville (170 words) [view diff] exact match in snippet view article find links to article
guidance and experienced care" on p. 3. Pillet was the director of the Paris Opera at the time. Sources Barrett, William Alexander (1882). Balfe: His Life
Jonas Kaufmann (3,339 words) [view diff] no match in snippet view article find links to article
Staatsoper München (2015) Napoli, Teatro San Carlo / Piazza Plebiscito (2020) Paris, Opéra Bastille (2021) Arena di Verona (2022) Verdi: Don Carlo Don Carlo Opernhaus
Louis-Désiré Véron (460 words) [view diff] exact match in snippet view article find links to article
is largely known to history for his direction, from 1831-1835, of the Paris Opera. The new government, after the July Revolution of 1830, wished to offload
Henri Büsser (1,020 words) [view diff] no match in snippet view article find links to article
centuries. He was at various times in his career the conductor of the Paris Opéra and the Opéra-Comique, and professor of composition at the Conservatoire
Callirhoé (468 words) [view diff] no match in snippet view article find links to article
Callirhoé is an opera by the French composer André Cardinal Destouches. It takes the form of a tragédie en musique in a prologue and five acts. The libretto
List of operas by Gioachino Rossini (567 words) [view diff] no match in snippet view article find links to article
Paris Opéra I/37 Le comte Ory opéra bouffe 2 acts Eugène Scribe and Charles-Gaspard Delestre-Poirson 20 August 1828 Salle Le Peletier, Paris Opéra I/38
Alina, regina di Golconda (802 words) [view diff] exact match in snippet view article find links to article
Pierre-Alexandre Monsigny's ballet-heroique Aline, reine de Golconde (Paris Opera, 1766), in its turn based on the novel by Stanislas de Boufflers. The
Les âges (282 words) [view diff] no match in snippet view article find links to article
Les âges (English: The Ages) or Le ballet des âges is an opéra-ballet in a prologue and three acts by the French composer André Campra. The libretto is
Louis-Ernest Barrias (631 words) [view diff] no match in snippet view article find links to article
French Academy in Rome. Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées. His work was mostly
Les amazones (425 words) [view diff] no match in snippet view article find links to article
libretto by Victor-Joseph Étienne de Jouy. It was first performed at the Paris Opéra on 17 December 1811 with the Emperor Napoleon and his new wife, Marie-Louise
Émile Perrin (331 words) [view diff] no match in snippet view article find links to article
Émile-César-Victor Perrin was a French painter, mainly known as a theatre director and impresario, born in Rouen on 9 January 1814, died 8 October 1885
Automobile Club of France (462 words) [view diff] exact match in snippet view article find links to article
known in French as "ACF" or "l'Auto", was initially located near the Paris Opera and benefited from a villa in the Bois de Boulogne. In 1898, the club
Salle (178 words) [view diff] no match in snippet view article find links to article
concert hall Salle Favart, theatre of the Paris Opéra-Comique Salle Le Peletier, former home of the Paris Opéra Salle Pleyel, a Paris concert hall Salle
1722 in France (252 words) [view diff] no match in snippet view article find links to article
June 2022. Semmens, Richard Templar (2004). The Bals Publics at the Paris Opéra in the Eighteenth Century. Pendragon Press. p. 29. ISBN 978-1-57647-034-3
1716 in France (183 words) [view diff] no match in snippet view article find links to article
June 2022. Semmens, Richard Templar (2004). The Bals Publics at the Paris Opéra in the Eighteenth Century. Pendragon Press. p. 29. ISBN 978-1-57647-034-3
1715 in France (233 words) [view diff] no match in snippet view article find links to article
June 2022. Semmens, Richard Templar (2004). The Bals Publics at the Paris Opéra in the Eighteenth Century. Pendragon Press. p. 29. ISBN 978-1-57647-034-3
Les fêtes vénitiennes (1,512 words) [view diff] no match in snippet view article find links to article
the end of the 17th century. At the beginning of the 18th century the Paris Opéra public was growing dissatisfied with the traditional "operatic fare consisting
1719 in France (220 words) [view diff] no match in snippet view article find links to article
June 2022. Semmens, Richard Templar (2004). The Bals Publics at the Paris Opéra in the Eighteenth Century. Pendragon Press. p. 29. ISBN 978-1-57647-034-3
Émile Perrin (331 words) [view diff] no match in snippet view article find links to article
Émile-César-Victor Perrin was a French painter, mainly known as a theatre director and impresario, born in Rouen on 9 January 1814, died 8 October 1885
Le duc d'Albe (2,101 words) [view diff] no match in snippet view article find links to article
Toledo, 3rd Duke of Alba. The work was intended for performance at the Paris Opéra. However, William Ashbrook notes that "Rosine Stoltz, the director's
Salle (178 words) [view diff] no match in snippet view article find links to article
concert hall Salle Favart, theatre of the Paris Opéra-Comique Salle Le Peletier, former home of the Paris Opéra Salle Pleyel, a Paris concert hall Salle
Jean-François Le Sueur (671 words) [view diff] no match in snippet view article find links to article
get his operas Ossian, ou Les bardes and La mort d'Adam mounted at the Paris Opéra, Le Sueur published a violent pamphlet, Projet d'un plan général de l'instruction
Pierre Baillot (753 words) [view diff] no match in snippet view article find links to article
age in which virtuosity was openly encouraged. He was leader of the Paris Opéra, gave solo recitals and was a notable performer of chamber music. Pierre
Marie Stuart (opera) (600 words) [view diff] exact match in snippet view article
Stuart had only a modest success. It remained in the repertoire of the Paris Opera with some cuts to the score until 1846, after which it was largely forgotten
Eugène Cormon (603 words) [view diff] no match in snippet view article find links to article
around 150 of his works were published. He was stage manager at the Paris Opéra from 1859 to 1870, and administrator of the Théâtre du Vaudeville from
The Last Savage (1,228 words) [view diff] no match in snippet view article find links to article
the following year. The opera was originally intended for the larger Paris Opéra, and the title was changed from The Last Superman to The Wild Man then
Adrien (opera) (944 words) [view diff] no match in snippet view article
Adriano in Siria. Written in 1791 and intended for performance at the Paris Opéra in 1792, the work was caught up in the turbulent political climate of
Monte Cristo (1929 film) (440 words) [view diff] exact match in snippet view article
the film-making is extraordinary" and praises the lavish scenes at the Paris Opera and Monte Cristo's mansion as "staggeringly opulent." After greedy men
Horatius Coclès (948 words) [view diff] no match in snippet view article find links to article
a libretto by Antoine-Vincent Arnault. It was first performed at the Paris Opéra on 18 February 1794. It is based on the Roman legend of Horatius Cocles
The Phantom of the Opera (1986 musical) (12,041 words) [view diff] no match in snippet view article
masked musical genius living in the subterranean labyrinth beneath the Paris Opéra House. The musical opened in London's West End in 1986 and on Broadway
Marie Sasse (3,345 words) [view diff] no match in snippet view article find links to article
flexible, and appealing", and she was one of the leading sopranos at the Paris Opéra from 1860 to 1870. She created the roles of Elisabeth in the Paris premiere
Prométhée (714 words) [view diff] no match in snippet view article find links to article
This version (which was later revised by Fauré) made its debut at the Paris Opéra on 17 May 1917 but never became popular. Designated as a tragédie lyrique
Pierre Bertin (552 words) [view diff] no match in snippet view article find links to article
imprévue after Sedaine with music by Henri Sauguet, first performed at the Paris, Opéra-Comique in 1944, and for the radio opera Les Deux Rendez-vous (after
Le lazzarone (388 words) [view diff] no match in snippet view article find links to article
Jules-Henri Vernoy de Saint-Georges. It was premiered on 29 March 1844 at the Paris Opéra. At the instruction of Léon Pillet, the director of the Opéra, the opera
Marie Fel (189 words) [view diff] exact match in snippet view article find links to article
Henri Fel. Marie Fel was born at Bordeaux. She made her debut at the Paris Opera in 1733 and sang regularly at the Concert Spirituel. In a career that
Louis Philippe style (4,532 words) [view diff] exact match in snippet view article find links to article
present his works on the Paris opera stages, with no success. Some interest was finally shown by the director of the Paris Opera; he rejected Wagner's music
Paulette Dubost (1,046 words) [view diff] exact match in snippet view article find links to article
2011) was a French actress who began her career at the age of 7 at the Paris Opera. She appeared in over 250 films and worked with directors such as Marcel
The Phantom of Manhattan (437 words) [view diff] exact match in snippet view article find links to article
Phantom of Manhattan. Erik Muhlheim "The Phantom" - Former Phantom of the Paris Opera, now an important New York impresario. Christine Daaé, Vicomtesse De
Péchés de vieillesse (535 words) [view diff] no match in snippet view article find links to article
edition was prepared by Auguste Vaucorbeil (1821–1884), director of the Paris Opéra, who reordered the pieces and gave them new picturesque titles, as Rossini's
Augustine Albert (869 words) [view diff] no match in snippet view article find links to article
1846) was a French opera singer who sang leading soprano roles at the Paris Opéra from 1806 to 1823. Amongst the many roles she created in their world
Le carnaval de Venise (1,232 words) [view diff] no match in snippet view article find links to article
or Protest in Paris? Louis XIV and the Politics of Subversion at the Paris Opéra". Journal of the American Musicological Society. 54 (2): 265–302. doi:10
Nathan Gunn (781 words) [view diff] no match in snippet view article find links to article
Pittsburgh Opera, The Santa Fe Opera, The Royal Opera in London, the Paris Opéra, the Bavarian State Opera in Munich, Theater an der Wien in Vienna, Opera
François-Louis Crosnier (827 words) [view diff] no match in snippet view article find links to article
François-Louis Crosnier (12 May 1792 – 1 September 1867) was a French theatre manager, politician, and playwright, who used the pen name Edmond Crosnier
Adriana Mater (520 words) [view diff] exact match in snippet view article find links to article
production was dedicated to Gerard Mortier, Artistic Director of the Paris Opera. The opera's Finnish premiere took place on 23 February 2008 in Helsinki
François-Louis Crosnier (827 words) [view diff] no match in snippet view article find links to article
François-Louis Crosnier (12 May 1792 – 1 September 1867) was a French theatre manager, politician, and playwright, who used the pen name Edmond Crosnier
Paul Schöffler (215 words) [view diff] no match in snippet view article find links to article
Salzburg. He made guest appearances at the Royal Opera House in London, the Paris Opéra, the Aix-en-Provence Festival, La Scala in Milan, the Teatro Colón in
Le pauvre matelot (1,261 words) [view diff] exact match in snippet view article find links to article
Sauguet. The composer conducted a complete recording with forces of the Paris Opera in 1956. Although Cocteau claimed that the story was inspired by a news
Serge Baudo (240 words) [view diff] exact match in snippet view article find links to article
Nice from 1959 to 1962. He then served as permanent conductor at the Paris Opera from 1962 to 1965. Baudo also worked on the music of two Jacques-Yves
Merce Cunningham (3,320 words) [view diff] no match in snippet view article find links to article
exhibitions, and his works have been presented by groups including the Paris Opéra Ballet, New York City Ballet, American Ballet Theatre, White Oak Dance
1717 in France (439 words) [view diff] no match in snippet view article find links to article
June 2022. Semmens, Richard Templar (2004). The Bals Publics at the Paris Opéra in the Eighteenth Century. Pendragon Press. p. 29. ISBN 978-1-57647-034-3
Étienne-Joseph Floquet (647 words) [view diff] no match in snippet view article find links to article
composer Jean-Joseph de Mondonville in 1772. Floquet's first work for the Paris Opéra, the ballet héroïque L'union de l'amour et les arts, was a triumph, enjoying
Clari (413 words) [view diff] no match in snippet view article find links to article
la promesse de mariage as a 'ballet-pantomime' in three acts at the Paris Opéra in 1820, with music by Rodolphe Kreutzer and designs by Cicéri and Louis
Nicolai Gedda (2,895 words) [view diff] exact match in snippet view article find links to article
di Afrodite. In January the following year he made his debut at the Paris Opera as Damon in Les Indes galantes, with Huon in Weber's Oberon and Tamino
Pauline Guéymard-Lauters (477 words) [view diff] exact match in snippet view article find links to article
19th century, creating important soprano/mezzo-soprano roles at the Paris Opera. Her vocal range has been described as “a soprano of wide extension”
Ferdinand Prévôt (417 words) [view diff] no match in snippet view article find links to article
second prize in chant in 1823. The son of a singer, he appeared in the Paris Opéra chorus in 1818. He made his debut as a soloist in Grétry's Anacréon chez
Rosl Zapf (597 words) [view diff] no match in snippet view article find links to article
Monnaie in Brussels, Teatro Nacional de São Carlos in Lisbon and the Paris Opéra. Born in Hof, Land Salzburg, Zapf studied voice in Graz with Stoja von
L'assedio di Calais (5,007 words) [view diff] no match in snippet view article find links to article
to return to that city and to write an opera for presentation at the Paris Opéra, "the most prestigious theatre in the world". Also, given that there
Cesare Pugni (2,219 words) [view diff] no match in snippet view article find links to article
Cesare Pugni (Italian pronunciation: [ˈtʃeːzare ˈpuɲɲi, ˈtʃɛː-]; Russian: Цезарь Пуни, romanized: Cezar' Puni; 31 May 1802, in Genoa – 26 January [O.S
Le temple de la Gloire (678 words) [view diff] no match in snippet view article find links to article
victory at the Battle of Fontenoy. It transferred, unsuccessfully, to the Paris Opéra on 7 December 1745. A revised version, in a prologue and three acts,
Un jardin sur l'Oronte (opera) (171 words) [view diff] no match in snippet view article
Un jardin sur l'Oronte ("A Garden on the Orontes") is an opera ("lyric drama") in four acts and eight tableaux by Alfred Bachelet to a French libretto
Jean-Claude Trial (178 words) [view diff] no match in snippet view article find links to article
Jean-Claude Trial (13 December 1732 - 23 June 1771) was a French composer and, with Pierre Montan Berton, co-director of the Académie Royale de Musique
Patrie! (335 words) [view diff] no match in snippet view article find links to article
and was one of the last in the style of grand opera to premiere at the Paris Opéra. The opera was premiered on 16 December 1886 by the Opéra at the Palais
Le postillon de Lonjumeau (830 words) [view diff] exact match in snippet view article find links to article
Days into the marriage the Marquis de Corcy, who is director of the Paris Opera, arrives at the couple's inn and is immediately smitten by Madeleine
Céphale et Procris (Jacquet de La Guerre) (594 words) [view diff] no match in snippet view article
as told in Ovid's Metamorphoses. The opera was first performed by the Paris Opéra at the Théâtre du Palais-Royal on 17 March 1694. Unsurprisingly, the
Nils Tavernier (425 words) [view diff] exact match in snippet view article find links to article
efforts The Other Side of the Tracks (1997), Etoiles: Dancers of the Paris Opera Ballet (2001), and Les enfants de Thiès (2001). He is the son of film
Jacques Bouhy (347 words) [view diff] no match in snippet view article find links to article
studying at the Liège Conservatory of Music, he made his début at the Paris Opéra as Méphistophélès (Faust) in 1871. He performed at the Opéra-Comique
La Bayadère (4,830 words) [view diff] exact match in snippet view article find links to article
Swedish Ballet. In late 1991, Rudolf Nureyev, artistic director of the Paris Opera Ballet, began making plans for a revival of the full-length La Bayadère
Boléro (3,449 words) [view diff] no match in snippet view article find links to article
The composition was a sensational success when it premiered at the Paris Opéra on 22 November 1928, with choreography by Bronislava Nijinska and designs
Jeanne-Hippolyte Devismes (138 words) [view diff] no match in snippet view article find links to article
Steibelt and married the director of the Académie Royale de Musique (the Paris Opéra), Anne-Pierre-Jacques Devismes du Valgay. Her only known works are a
Le déserteur (opera) (826 words) [view diff] no match in snippet view article
Philadelphia on 11 July 1787 in English (London version). It was revived by the Paris Opéra-Comique on 28 July 1802 at the Salle Feydeau and on 30 October 1843 at
Louis Musy (273 words) [view diff] no match in snippet view article find links to article
French operatic baritone and stage director principally active at the Paris Opéra-Comique. His teacher was Léon David. He made his debut in Le Chemineau
I puritani (4,998 words) [view diff] no match in snippet view article find links to article
three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. These negotiations
Gabriele Santini (176 words) [view diff] no match in snippet view article find links to article
artistic director from 1945 to 1962. He also made guest appearances at the Paris Opéra and the Royal Opera House in London. He conducted several creations of
Louis Lacoste (composer) (226 words) [view diff] no match in snippet view article
Destouches' Issé (1697) then chorus master and leader of the orchestra at the Paris Opéra (from 1710 to 1714). He composed several works for the stage, the most
Sir Slick (458 words) [view diff] exact match in snippet view article find links to article
2001) is a bay gelding Thoroughbred racehorse by Volksraad from the Paris Opera mare Miss Opera. The New Zealand bred Sir Slick was the winner of Six
Henri Larrivée (754 words) [view diff] no match in snippet view article find links to article
Larrivée was working as an apprentice to a wigmaker when the head of the Paris Opéra, Rebel, noticed his talent for singing and hired him as a chorus member
Messaline (184 words) [view diff] no match in snippet view article find links to article
Scala in 1901. Other notable performances include Covent Garden in 1899, Paris Opéra in 1903, Warsaw in 1904, and Cairo in 1907. The opera made its United
Atys (Piccinni) (844 words) [view diff] exact match in snippet view article
Quinault used), Atys commits suicide. Piccinni's opera was premiered by the Paris Opera at the second Salle du Palais-Royal on 22 February 1780. Musically the
List of operettas by Jacques Offenbach (556 words) [view diff] no match in snippet view article find links to article
Eugène Scribe and Henri Boisseaux, after Abbé Blanchet 24 December 1860 Paris, Opéra-Comique, Salle Favart La chanson de Fortunio opéra comique 1 act Hector-Jonathan
L'Atlantide (118 words) [view diff] exact match in snippet view article find links to article
L'Atlantide (opera), an opera by Henri Tomasi first produced in 1959 at the Paris Opera L'Atlantide, the French name for the legendary island of Atlantis L'Atlantide
David Makhateli (652 words) [view diff] exact match in snippet view article find links to article
demanded guest teacher for the Royal Ballet, Dutch National Ballet, Paris Opera, Finnish National Ballet, Swedish Royal Ballet. David Makhateli was born