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Gothic style there were two or three sets off; and in the later Perpendicular Gothic these assumed a wavy section, and the coping mouldings continued

Europe saw tracery patterns resembling lace develop, while in England Perpendicular Gothic or Third Pointed preferred plainer vertical mullions and transoms

Harold Stratton Davis and built in 1933–1934 in a fifteenth-century perpendicular Gothic style. It includes German and Dutch stained glass that was transferred

built in the 13th or 14th century. Most of the current windows are Perpendicular Gothic. All Saints' has box pews that were added in the 18th century and

Press between 1909 and February 2011. The building, designed in the Perpendicular Gothic style, was registered with the New Zealand Historic Places Trust

firm of Hubbell and Benes, in what they called "Modern American Perpendicular Gothic", a style influenced by Eliel Saarinen's unrealized design for the

two Perpendicular Gothic clerestory windows were added to south side of the nave. The west window of the nave is also a late Medieval Perpendicular Gothic

built in the United States. The style is referred to as English Perpendicular Gothic Revival. The large Chancel window was manufactured by the Henry E

is designed in the Neo-Gothic style, sometimes referred to as the Perpendicular Gothic style. The style was chosen because it complemented the St. Patrick's

Revival building designed by the architects Woodhead and Hurst in a Perpendicular Gothic style. It was built at a cost of £15,181 (equivalent to £1,570,000

Church of the Holy Trinity, designed by Francis Goodwin in decorated perpendicular gothic style and built from Bath stone in 1820–1822. Another notable local

notable wool church and regarded as one of the finest examples of Late Perpendicular Gothic architecture in England. A church has existed on the current site

university chapel. A new edifice was built in 1925 in an English perpendicular Gothic style, a gift of church member and Illinois US Representative Morton

later in the Middle Ages with Decorated Gothic and Perpendicular Gothic ones, and the Perpendicular Gothic west tower is also a later addition. The church

been succeeded by Perpendicular Gothic around 1350. However, the south aisle and south chapel were rebuilt in the Perpendicular Gothic style early in the

rebuilt in the 13th century in the Early English Gothic style. The Perpendicular Gothic windows in the nave were added much later, followed by the clerestory

with a new chapel. After 1439 this chapel was replaced with a new Perpendicular Gothic style chapel, which has fine fan vaulting of unusually high quality

tower was from the first half of the 13th century. However, it is Perpendicular Gothic which suggests it is no earlier than the middle of the 14th century

Derwall until 1537. Seth Derwall completed the south transept to a Perpendicular Gothic design, as seen in the transomed windows of the clerestory. He also

in a variant of the Gothic Revival style named "Modern American Perpendicular Gothic," the building was designed by local architect William N. Bowman

Visually, the effect is similar to the stone-mullioned windows of Perpendicular Gothic or Elizabethan architecture. The technology was devised by George

were rebuilt and the Perpendicular Gothic nave clerestory and south porch were added. In the 16th century the Perpendicular Gothic north chapel was added

Radnor, Powys, Wales. It was constructed in the 15th century in perpendicular gothic style on the site of a 6th-century church. It is a grade I listed

the monks from Fécamp would have originated. In the 15th century a Perpendicular Gothic clerestory was added to the nave, and the roofs of the nave, aisles

south aisles. In the 15th century a Perpendicular Gothic porch was added to the south doorway. Also Perpendicular Gothic are the nave's clerestory and roof

side of the chancel and the porch on the south side of the nave are Perpendicular Gothic. The tower is built in two stages of galletted rag-stone with diagonal

up. Perpendicular Gothic windows occupy the south wall of the nave where the arcade had been. The chancel east window is also Perpendicular Gothic. The

building began as the work of John Loughborough Pearson in a neo-perpendicular Gothic style, but was completed after his death. A red brick chancel with

the outskirts of Sudbury. The nave and chancel of the church are Perpendicular Gothic, built of flint in the 15th century. The south porch is also flint

architect Thomas Ustick Walter and dedicated in 1850. It is a one-story, Perpendicular Gothic style stuccoed brick church. The front facade features a projecting

and north aisle and the Perpendicular Gothic south windows of the chancel and west window of the aisle. Also Perpendicular Gothic are the chancel piscina

south chapel, south porch and west tower. Later in the Middle Ages a Perpendicular Gothic east window was inserted in the chancel. In 1845 the chancel was

windows on the south side. The other windows of the chancel are later Perpendicular Gothic additions. The nave and south transept are Perpendicular features

the 15th century the Perpendicular Gothic south transept and north tower were built and the nave was given Perpendicular Gothic windows and an embattled

re-set. The north aisle and arcade are 13th century. The ornate Perpendicular Gothic bell-tower is notable. Dr. F.J. Allen, who was an authority on the

listed building is chiefly remarkable for the consistency of its Perpendicular Gothic architectural style and its unusually large size for a parish church

with three tiers of lucarnes. The south porch is a late mediaeval Perpendicular Gothic addition. It is a Grade I listed building. In Cow Honeybourne the

red sandstones. The main phases of building are Decorated Gothic, Perpendicular Gothic and a Gothic Revival Victorian restoration of 1864. It is a Grade

overlooks the village and river. The interior has Decorated and Perpendicular Gothic structural features and sumptuous monuments from the late medieval

features an Early English south aisle, a Decorated Gothic chancel and a Perpendicular Gothic tower. There has been a church at Blymhill from an early date. Until

later in the Middle Ages with Decorated Gothic and Perpendicular Gothic ones, and the Perpendicular Gothic west tower is also a later addition. The building

In the 16th century two of the nave windows were enlarged in the Perpendicular Gothic style. A stained glass portrayal of St Leonard in the lancet window

Huntingdonshire (now part of Cambridgeshire), England. The gatehouse is Perpendicular Gothic and was built late in the 15th century. In 1537 the abbey was dissolved

Abbey Fields and the ruined St Mary's Abbey. This building, in the Perpendicular Gothic Revival style, dates from 1816. The 'new' theatre, still their current

south porch has two storeys and a two-bay quadripartite vault. The Perpendicular Gothic clerestory is 14th or early 15th century. In the 15th century the

but the present south arcade and the rest of the south aisle are Perpendicular Gothic work from the end of the 15th century. The clerestory of the nave

west tower was built or rebuilt in the Perpendicular Gothic style. Of the same period are the Perpendicular Gothic hexagonal baptismal font, the three-light

the north wall and a clerestory above the nave, both of which are Perpendicular Gothic. The church tower had a spire until 1811, when some of the stonework

Perpendicular Gothic windows. The eastern window in the south wall of the nave was also revised with Perpendicular tracery. The Perpendicular Gothic belltower

Smedley Lane. The building was completed in 1839, using ashlar, to a Perpendicular Gothic design by T. W. Atkinson. Construction had commenced in 1836. A wealthy

had been replaced by a Norman one. In 1394 it was rebuilt in the perpendicular gothic style during the reign of Richard II. The stone tower was added in

Horwudu. The Church of England parish church of Saint Nicholas has a Perpendicular Gothic belltower built of large blocks of ashlar. The remainder of the church

western end. It and all the other windows in the north wall are Perpendicular Gothic. In 1867–68 the church building was restored, the chancel and south

are the Perpendicular Gothic clerestory and present roof of the nave. A large window in the south wall of the nave is also Perpendicular Gothic. The chancel

century the Perpendicular Gothic clerestory was added to the nave. The chancel windows and one window in the south aisle are also Perpendicular Gothic. The font

been rebuilt in the latter part of the 15th century, but only the Perpendicular Gothic west tower survives from that time. Major repairs to the roof and

Decorated Gothic style. The Perpendicular Gothic bell tower was built in 1504. The south porch is also a Perpendicular Gothic addition. Holy Trinity is

between Decorated and Perpendicular Gothic date it to the chancel about the middle of the 14th century. Later pure Perpendicular Gothic additions include

his son William de Ramsey was instrumental in the innovations of Perpendicular Gothic architecture. Curl, James Stevens; Wilson, Susan, eds. (2015), "Ramsey

chancel arch and chancel roof were renewed in the 15th century. The Perpendicular Gothic south chapel was added in about 1520. "2011 census". Neighbourhood

screen at the east end of the north aisle, and the font, are in the Perpendicular Gothic style of the 15th and 16th centuries. The Chapel of the Good Shepherd

Walter Mills of Banbury, using a Gothic Revival interpretation of Perpendicular Gothic. St Mary's parish is now part of the Benefice of Shill Valley and

church on their estate in the 15th century. Only the castellated Perpendicular Gothic tower survives from that era: the 1st Baron Ashburnham's wholesale

century. The five-bay Perpendicular Gothic clerestory was added in the first half of the 15th century. Further Perpendicular Gothic additions were made

century the chancel was rebuilt and a Perpendicular Gothic north chapel and vestry were added. Also Perpendicular Gothic are the west windows of the nave and

the 15th century the north aisle was widened. In the 15th century Perpendicular Gothic additions were made to the building: the tower was extended higher

15th century, the base of the font is from the same century and the Perpendicular Gothic window in the south wall of the south aisle was added in about 1480

nave was altered and the church was dedicated to Saint Mary. The Perpendicular Gothic tower was built in the 15th or early in the 16th century. A rood

from that period. The pointed chancel arch is 13th century. The Perpendicular Gothic west tower was built early in the 15th century. The present chancel

a stair turret in one corner. The architectural style is largely Perpendicular Gothic Revival, which was out of fashion by the 1850s, although there are

two more including the Perpendicular Gothic east window of the chancel in the 15th century. The church has a Perpendicular Gothic rood screen. The pulpit

architect R. H. Carpenter. A major addition was the heavily buttressed Perpendicular Gothic west tower, topped with a tall broach spire and containing a peal

The historic buildings of the United Kingdom date from prehistoric times onwards. The earliest are Neolithic buildings and these are followed by those

15th century the heights of the nave and chancel were raised and a Perpendicular Gothic clerestory added. In 1876 All Saints' was re-roofed and restored

Resurrection, and Gethsemane set in modified Gothic traceries and ornate perpendicular Gothic canopies. All are of exceptional technical and artistic merit, but

of the nave. In about 1500 a clerestory was added to the nave and Perpendicular Gothic windows were inserted on the south side of the chancel and at the

century nave. The three-bay north aisle was added in about 1200. The Perpendicular gothic chancel and bell-tower were added late in the 15th century. The north

Some of the windows are 14th and 15th century Decorated Gothic and Perpendicular Gothic additions. Two flying buttresses were added to the north side of

the chancel also has a window added early in the 14th century. A Perpendicular Gothic arch linking the north transept and chapel was inserted. In the 15th

Three-storey Perpendicular Gothic porch of Church of St. John the Baptist, Cirencester: an elaborate example of what in later English usage has been called

eastern end, reconstructed in the 14th century as an early example of Perpendicular Gothic and with the largest medieval window in the world, the area of a

and a Doom. The bell tower was built around 1400 and the present Perpendicular Gothic east window of the chancel was added in the 15th century. Many of

baptismal font inside the church. Much of the rest of the church is Perpendicular Gothic. The nave has north and south aisles. The north aisle has five bays

Saints, with tall tower, nave and two aisles. The rood screen is Perpendicular Gothic in style and there are two parclose screens of different designs

the 15th century. Many of the windows of the nave and chancel are Perpendicular Gothic additions, including the east window of the chancel. The church is

of Saint Faith are late 12th century, but the exterior is largely Perpendicular Gothic. Newton Longville has a number of cruck-framed thatched houses dating

15th century the bell stage was added to the bell tower and the Perpendicular Gothic clerestory was added to the nave. St Peter's is a Grade I listed

was added later in the 13th or early in the 14th century and the Perpendicular Gothic clerestory was added to the nave in the 15th century. In 1865 the

survives from this time. Most of the windows are Decorated Gothic and Perpendicular Gothic additions. The church was rebuilt in 1830 and 1882, when the present

crossing. Lierne vaults also feature prominently in the Decorated and Perpendicular Gothic architecture of England. Liernes are very short decorative ribs that

for the "sculptural quality of its interior" and its "attractive" Perpendicular Gothic Revival form "refined by Maufe in a very personal way". Describing

and four-bay arcades. The west tower and spire are later Medieval Perpendicular Gothic additions. The top of the spire is about 150 feet (46 m) above ground

burnt down in 1923, and Walter Tower designed a flint and stone Perpendicular Gothic Revival replacement with a wooden belfry. Ebenezer Strict Baptist

architect and told to "build to last". He produced a design in the Perpendicular Gothic style, to evoke the famous university buildings of Oxford and Cambridge

of the south aisle are 14th or 15th century Decorated Gothic or Perpendicular Gothic additions. The present font is 15th century. In 1574 two flying buttresses

Mendip Methodist Circuit. Designed by Foster & Wood, Bristol, of Perpendicular Gothic style, the church opened on 2 May 1881. The schoolroom and coach

Perpendicular Gothic east window of the chancel was added in the second half of the 14th century. One of the aisles was also rebuilt in Perpendicular

in the 14th century. High in the south wall of the nave are two Perpendicular Gothic windows, and the late Perpendicular upper stages of the tower were

the 14th century and to the east of it one of the nave windows is Perpendicular Gothic. The other windows of the nave are Victorian. In 1869 the nave was

present windows are Decorated Gothic and were added later. Next the Perpendicular Gothic bell tower was added. Two windows on the north side of the church

Foster & Wood, Bristol, the tower is made of local stone and is of perpendicular Gothic style. The tower has a cast iron clock face on each of its four sides

about the 14th century. Either side of the south doorway are two Perpendicular Gothic windows that were added in about the 15th century. The pulpit is

of Saint David sometime between 1203 and 1229 The church displays Perpendicular Gothic architecture. The grave of the writer and preacher David Owen (Brutus)

decorate the rectory garden at Wickham. A vinery was built using six Perpendicular Gothic windows, five being 15th-century originals and the sixth a modern

late Mediæval additions include the Perpendicular Gothic windows of the south aisle and another Perpendicular Gothic window in the north aisle. By 1716

mostly with Perpendicular Gothic windows. The church was restored from 1852 onwards. It is a Grade II* listed building. The Perpendicular Gothic font is also

The north chapel has an early 14th-century tomb recess. The tall Perpendicular Gothic windows in the south wall of the nave were inserted later in the

present building was erected in 1817 by James Gillespie Graham, in Perpendicular Gothic style. The bell of 1702 is still rung on Sundays, although services

tub-shaped, suggesting that it too is Norman. The chancel windows are Perpendicular Gothic. The east window has ogee tracery and includes 14th century stained

nave as well. Late in the 15th or early in the 16th century the Perpendicular Gothic clerestory was added to the nave. Early in the 18th century St. Mary's

of England parish church of All Saints is early 14th century. A Perpendicular Gothic clerestory and porch were added early in the 15th century. The west

church of St James the Great has a late 15th or early 16th century Perpendicular Gothic west tower, but the rest of the building was demolished in 1865 and

also 13th century. Later a clerestory was added to the nave and new Perpendicular Gothic windows were inserted in the south walls of the nave and chancel

doorway. The nave roof may be 14th century and its west wall and Perpendicular Gothic window may be 15th century. The wooden north porch is of uncertain

Decorated Gothic nave may have been built between 1250 and 1350. Perpendicular Gothic additions were made early in the 15th century: the chancel, and the

tower was built in the 14th century and some Decorated Gothic and Perpendicular Gothic windows were added over the centuries. The tower was reduced in height

which the lower stages are Decorated Gothic and the upper stages are Perpendicular Gothic. In 1863 the nave and chancel in the Early English Gothic were rebuilt

other windows were added to the nave and north aisle, all of them Perpendicular Gothic. The church is a Grade I listed building. The tower has three bells

north transept east window is early 14th century. The font is a Perpendicular Gothic addition. The mural on the chancel walls was painted by members of

completely rebuilt the church, retaining only the Norman south door, Perpendicular Gothic south porch and a few other items. The parish is now a member of

The Climbing Academy. The church is built of ashlar limestone in a Perpendicular Gothic Revival style, with an aisled nave and chancel, west porch and south-west

of three bays and a west tower were added at the same time. The Perpendicular Gothic clerestory was added later. The chancel was restored in 1843 and

Rycote, founded Saint Michael's chapel as a chantry in 1449. It is a Perpendicular Gothic building with a chancel, nave and west tower. It retains original

Each aisle is linked with the nave by an arcade of three bays. The Perpendicular Gothic porch and west tower were added in the 15th or late 14th century

aisle and clerestory windows are later: Decorated Gothic and late Perpendicular Gothic. The west window of the south aisle includes some panels of Medieval

architectural styles and materials are represented: from "Surrey's only Perpendicular Gothic church of any size or pretension" (at Lingfield) to small weatherboarded

century. The nave was rebuilt in the 15th century with a large new Perpendicular Gothic west window. In 1877 Henry Howard, 2nd Earl of Effingham commissioned

Church of England parish church of St Andrew has a 14th-century Perpendicular Gothic west tower with a 15th-century top. The chancel was rebuilt in 1688

bishops. The church has a nave with a north aisle and vestry, a Perpendicular Gothic west tower, a chancel and a south porch. The nave was rebuilt in

two-bay arcade was added to the nave. The nave roof and west tower are Perpendicular Gothic, and the tower was altered and increased in height in the 15th century

century. In the 15th century the nave was rebuilt and the present Perpendicular Gothic south transept and west tower were built. In the 16th century the

century. In the 15th century the nave was rebuilt and the present Perpendicular Gothic south transept and west tower were built. In the 16th century the

arcade filled in and two-light Perpendicular Gothic windows inserted in each of the filled-in arches. The Perpendicular Gothic west tower was added towards

St Andrew's Church is an Early English Gothic building with some Perpendicular Gothic elements. It is a knapped flint structure with stone dressings, and

aisles are from the early part of the Perpendicular Gothic period. The bell tower is also Perpendicular Gothic. The parish is now part of the Church of

the mathematician Thomas Lydiat, had the chancel rebuilt in the Perpendicular Gothic style. In 1889 the architect JA Cossins restored the church building

church fabric. Immediately after this the church was remodelled in Perpendicular Gothic style. The west tower was completely rebuilt and the spire and western

there used to be a north aisle. The lower part of the bell-tower is Perpendicular Gothic and the south chapel remains as it was built in 1545, but the remainder

14th- or 15th-century Perpendicular Gothic pulpit

The Palace of Westminster was built in a pastiche Perpendicular Gothic Revival style in the Victorian period

The church was altered in the 14th century and the west tower is Perpendicular Gothic, possibly 15th-century. The building was restored in 1883 and 1885

has a 12th-century baptismal font, but the rest of the building is Perpendicular Gothic. The nave, chancel and west tower are 15th century. The north aisle

chancel survives. In the 15th century the nave was rebuilt with Perpendicular Gothic windows. The south door and porch are 16th century and the chancel

Perpendicular Gothic east window of the chancel was added in the second half of the 14th century. One of the aisles was also rebuilt in Perpendicular

and vaulted porch are Decorated Gothic. Later in the Middle Ages Perpendicular Gothic features were added, notably the clerestory of the nave and the embattled

Decorated Gothic east window was inserted. In the 15th century a Perpendicular Gothic clerestory was added to the nave. When the Abbey was dissolved in

Edmund Street in 1875–77. The 19th century restorations introduced Perpendicular Gothic Revival style features, in particular the windows for the nave and

early 14th century. The stone arcading inside the nave has striking Perpendicular Gothic panelling which is also seen on the tower arch and in the clerestory

present side windows of the nave and aisle are also late Medieval Perpendicular Gothic additions. The Gothic Revival architect C.C. Rolfe restored the building

in 1829–31 to the design of Francis Goodwin and Richard Lane in a Perpendicular gothic revival style with a west tower and three galleries. The 19th century

Sketch of the parish church from the southeast in 1822, showing the Perpendicular Gothic east window that it had until the church was rebuilt in 1861

Decorated Gothic windows were added in the south wall of the nave. The Perpendicular Gothic window in the north wall of the nave was added late in the 15th century

Location within Cardiff General information Architectural style Perpendicular Gothic Town or city Cardiff Country Wales Coordinates 51°28′50.59″N 3°10′42

church they include one two-light Decorated Gothic and one four-light Perpendicular Gothic window. The pulpit is Jacobean. The tower was rebuilt in 1721 or

chancel. There is a canonical sundial on the south wall. The nave has Perpendicular Gothic windows that were inserted in the 15th century. The building was

Architecture Architect(s) Samuel Angell J. S. Alder Architectural type Perpendicular Gothic Groundbreaking 1900 Completed 1911 Specifications Height 179 feet

materials, early Decorated Gothic windows from about 1300 and a Perpendicular Gothic doorway. The foundations continued to give trouble and in 1901–02

chancel and several Norman lancet windows. Later additions include the Perpendicular Gothic east window and another Perpendicular window in the south wall. In

represented, but by far the greater proportion of the churches are Perpendicular Gothic, fine examples of which are so numerous that it is hard to select

are 11th century. The chancel windows are the 13th century and the Perpendicular Gothic bell-tower is later medieval. The pulpit is Jacobean and was made

Harkness Tower was the first couronne ("crown") tower in English Perpendicular Gothic style built in the modern era. James Gamble Rogers, who designed

of the chancel is 14th-century in style. In the 15th century the Perpendicular Gothic bell tower was added, a window inserted on the south side of the

Anglican II* David Brandon restored this ancient church in 1862 in a Perpendicular Gothic Revival style. The "large and handsome" sandstone building had been

1340 and 1380 in the transitional style between the Decorated and Perpendicular Gothic styles. Parts of this building can be seen in the present church

cottage in Baldon Lane The Seven Stars public house 15th-century Perpendicular Gothic east window of St Peter's church "Area: Marsh Baldon (Parish): Key

Church is the Anglican parish church of Hampden Park. Edward Maufe's Perpendicular Gothic Revival building of 1952–54 replaced a church of 1908 which had been

porch and five-bay arcade, both of which are Decorated Gothic. The Perpendicular Gothic west tower was added in the 15th century. The chancel was rebuilt

built in 1340 as a chantry to Saint Mary. He retained also the Perpendicular Gothic bell tower. Henry VIII and Anne Boleyn rode to Coberley on 2 August

which is Norman, with the addition of some Decorated Gothic and Perpendicular Gothic windows and other details. The church was dedicated to Saint Katherine

1340 and 1380 in the transitional style between the Decorated and Perpendicular Gothic styles. Parts of this building can be seen in the present church

which is Norman, with the addition of some Decorated Gothic and Perpendicular Gothic windows and other details. The church was dedicated to Saint Katherine

rebuilt in the 15th century. Early in the 16th century two four-light Perpendicular Gothic windows were inserted in the south wall of the nave and another Perpendicular

family was later forced to sell. In its successful blend of the Perpendicular Gothic and Picturesque styles, Toddington is the fore-runner of the Houses

Parsons Green, Fulham, London. The church was built in 1886 in the Perpendicular Gothic style to a design by the architect Ewan Christian. It replaced the

of Southwark. A design was drawn up by the Arthur Ashpitel in the Perpendicular Gothic style (the Gothic Revival was popular in English architecture of

as a "technical advisor". The church is a simple building in the Perpendicular Gothic Revival style: a long rectangle with no transepts or side chapels

The Baptist chapel was rebuilt in 1871, with a stepped gable and Perpendicular Gothic style windows. A schoolroom was added in 1925 but both it and the

which predates the late-15th-century Perpendicular Gothic nave and its high clerestory. The Perpendicular Gothic north aisle – described as "showy" by

that the clerestorey was added at the same time, but it is in the Perpendicular Gothic style and Sherwood and Pevsner contend it was added later. The low

architecture, following the work done by Carver. The tower follows the Perpendicular Gothic style of many Somerset village churches; it features two stages,

have original Early English lancet windows and the south wall has a Perpendicular Gothic window that was added in the 16th century. The building was altered

all but one of the windows in the north aisle were replaced with Perpendicular Gothic ones and the bell tower was built. The church furniture includes

in the north aisle. In the second half of the 15th century, the Perpendicular Gothic bell tower was added. The chancel was rebuilt in 1591 and the porch

The Decorated Gothic east window dates from about 1320 and the Perpendicular Gothic west window dates from about 1420. The brick-built Jacobean south

successful English master masons of the 14th century, using the new Perpendicular Gothic style Wynford Dewhurst (born 1864), English Impressionist painter

this rebuilding. Later the present west window was added in the Perpendicular Gothic style. In the same period a south porch was built. Its inner door

Nicholas, originates from the 12th and 13th centuries. It is of mainly Perpendicular Gothic style. The tower is of three stages, with an embattled parapet. Piers

1907. Charles F. Schweinfurth designed the structure in English Perpendicular Gothic form from Indiana limestone. Diocesan offices were located in the

of the nave. After this the remaining windows were added in the Perpendicular Gothic style. The west tower was built in the 15th century. The church was

church has a Norman south doorway. The nave and north aisle are perpendicular gothic. The north chapel and chancel date from 1883. It is a high Anglican

The Church of England parish church of Saint James the Less is Perpendicular Gothic and includes a clerestory, south aisle and south chapel, two-storey

porch were built and the wooden rood screen was installed, all in Perpendicular Gothic style. However, in about 1520 the chancel was reported to be in ruins

Baptist is the 12th-century Norman baptismal font. Some 15th-century Perpendicular Gothic features survive, including the north aisle, three-bay north arcade

The narthex has a half-hipped roof with a restored three-lighted perpendicular gothic window set left of centre on the west face above the entrance door

church of Saint Mary are Norman, with later Decorated Gothic and Perpendicular Gothic alterations from the 14th century. Crich has also a Wesleyan Chapel

from about 1220. In the 14th century St Michael's was rebuilt in Perpendicular Gothic style and apparently enlarged for Sir Hugh Calveley. The position

eastern part of the nave. Later features of the church include the Perpendicular Gothic windows of the north aisle and the two-storied wooden porch. Berkswell's

England parish church of Saint Peter are Norman, built about 1200. The Perpendicular Gothic west tower and four-bay north aisle were added in the 15th century

Central Park West's prevailing Classicism." A rare design in English Perpendicular Gothic, it received praise from notable architects including Frank Lloyd

nave and east window of the chancel. Most of the other windows are Perpendicular Gothic: that in the north wall of the chancel from the 14th century and

the 14th or the 15th century. The south porch is a late Medieval Perpendicular Gothic addition, and the ironwork on the south door was added in 1640. In

and the remainder were added in about 1300. Fragments remain of a Perpendicular Gothic screen that was added later in the Middle Ages. St. Matthew's is

tower is ashlar dressed, while the top stage mixes Decorated and Perpendicular Gothic styles. Architectural historian John Newman observes the interplay

W. and A. Surplice Snell, Kawarau and Prowse Architectural type Perpendicular Gothic Revival Years built 1843-1847 Specifications Materials Barrabool

Forest Edge group of churches. St Michael's building is Norman. A Perpendicular Gothic window on the south side of the nave is a fifteenth-century addition

Norwich. St Andrew's is a fine example of a hall church. In late Perpendicular Gothic style with a timber roof of tie beam construction, it is the second

recess was inserted in the north wall. The chancel east window is Perpendicular Gothic. The nave has a clerestory whose roof timbers are early 16th-century

are mostly of a colourful red brick. There is much Decorated and Perpendicular Gothic detail throughout. Bessels Green Baptist Church Bessels Green 51°16′42″N

doorway, chancel arch and east window all date from this period. The Perpendicular Gothic windows of the north aisle and the upper stage of the bell tower

aisles linked to it by arcades of four bays. The west tower and the Perpendicular Gothic east window of the chancel were added in the 15th century. The pulpit

general public in 1873. A substantial stone structure, it adopted the Perpendicular Gothic in style in order to complement the neighbouring Guildhall building

was built with this object in view. Although the style is English Perpendicular Gothic, the Tower is in the great tradition of English landscape gardening

Fire of London. It was rebuilt by Sir Christopher Wren in a late Perpendicular Gothic style, and completed in 1685. The rebuilt church was divided into

and offices. Granville Streatfield designed St Augustine's in the Perpendicular Gothic style using red brick with stone dressings. The brick is laid in

had plain lancet windows in the side walls. An east window in the Perpendicular Gothic style was added later, as were windows in the aisles (inserted in

and the remainder were added in about 1300. Fragments remain of a Perpendicular Gothic screen that was added later in the Middle Ages. St. Matthew's is

Decorated Gothic chapel that was added in the 14th century. The Perpendicular Gothic arcade of the north aisle is later. In 1843–44 the church was rebuilt

south aisle. The arcade of the north aisle is later and so is the Perpendicular Gothic tower. The outer walls of the church were rebuilt in 1861–62 under

The church has elements of architecture from the Norman to the Perpendicular Gothic periods. It was restored and enlarged between 1854 and 1855 at a

century arcades. The font is also 14th century. Later features are the Perpendicular Gothic clerestory, roof and remodelling of the north and south arches supporting

aisle is slightly later. The church's windows and bell tower are Perpendicular Gothic additions from later in the Middle Ages. The tower has a ring of

Rome. Late in the 15th and early in the 16th centuries extensive Perpendicular Gothic alterations were made to the church. The tower was rebuilt and the

Gothic windows were added to the chancel. In the 15th century a Perpendicular Gothic clerestory was added to the nave and a west tower was built. Monuments

battlemented and pinnacled. The nave has a clerestory with square-headed Perpendicular Gothic windows. It is flanked by north and south aisles with windows of

built in about 1200, extensively rebuilt in about 1300 and has a Perpendicular Gothic west tower and chancel screen. The south arcade is of two bays. The

Gothic bell tower was added early in the 14th century. The present Perpendicular Gothic windows in the south aisle were added in the 14th or 15th century

by the filling over time of old marble workings. In the area, the Perpendicular Gothic towers of the parish churches of Biddenden, Headcorn, Smarden and

church of Saints Peter and Paul is 13th century, with subsequent Perpendicular Gothic alterations, and the architect John Plowman restored it in 1842.

north wall of the nave are supported on thick octagonal columns. The Perpendicular Gothic north chapel (now vestry) is of a similar date, on the east wall

arms of Poyle and another family impaling Poyle. But the recess is Perpendicular Gothic and thus later than the effigy. And it is too short for the effigy

pre-existing British settlement. The current church was built in the perpendicular gothic style, and although ostensibly Norman, some of the architectural

15th century the upper part of the belltower was completed, the Perpendicular Gothic west window of the nave and north and south windows of the transepts

aisle, west window and very fine east window of the chancel are Perpendicular Gothic. Ss. Peter & Paul parish is now part of a single Church of England

needed because of population growth. The flint and stone church has Perpendicular Gothic elements. St James's Church (More images) Ashurst 50°56′05″N 0°19′38″W

Mary's is particularly notable for its fan vaulted early 15th century Perpendicular Gothic style Wilcote chantry chapel and its early 18th century Perrott burial

chancel was rebuilt in the 13th century, and in the 15th century new Perpendicular Gothic windows were inserted in the nave. St. Giles was a prebendal chapel

windows presumably from the south wall of the nave. A number of Perpendicular Gothic windows were later added to the nave and one to the north wall of

Cathedral of Learning. The Commons Room is a fifteenth-century English perpendicular Gothic-style hall that covers half an acre (2,000 m2) and extends upwards

arcade. The west tower also is Decorated Gothic. The south porch is Perpendicular Gothic and the font may be 15th century. The chancel was largely rebuilt

Cathedral of Learning. The Commons Room is a fifteenth-century English perpendicular Gothic-style hall that covers half an acre (2,000 m2) and extends upwards

aisle is a four-bay Decorated Gothic arcade. The south aisle is a Perpendicular Gothic arcade addition. The Gothic Revival east window in the chancel was

transepts on each side and a diagonally offset west tower in the Perpendicular Gothic style. All Saints Church (More images) Leatherhead 51°18′09″N 0°19′46″W

the new university, in 1912. He produced an imposing design in the Perpendicular Gothic style. Building was begun in 1915, and after being delayed through

centuries. The west tower was built in the 15th century in a late Perpendicular Gothic style. It has pinnacles and an embattled parapet and is ornamented

14th century. In the 15th century the south porch was added, new Perpendicular Gothic windows were inserted and the present west tower was built. The west

Beckett Style Anglo-Saxon, Norman, Early English, Decorated Gothic, Perpendicular Gothic Completed late 10th or early 11th century Specifications Bells 8

clerestory was added to the nave in the 16th century, each in a Perpendicular Gothic style. The tower has a ring of six bells. Edward Hemins of Bicester

parish churches of Adderbury, Bloxham and Drayton. Around 1400 a Perpendicular Gothic clerestory was added to the nave. In the Tudor era new side windows

chancel, cloistered nave, aisles, south porch and a western tower, of Perpendicular Gothic era. Crocketed pinnacles and buttresses are enriched with panelling

is an 11th-century late Saxon building with Norman, 15th-century Perpendicular Gothic and 19th-century Gothic Revival additions. St John's is the most

the 15th century the parish church was cruciform, with a central Perpendicular Gothic belltower that was built in about 1400. The present Church of England

of the nave, both of which are 14th century. There is a blocked Perpendicular Gothic window on the north side of the chancel. The king post roof is probably

window is slightly later, in the transitional style from Decorated to Perpendicular Gothic. Around the beginning of the 16th century the clerestory and a new

niches for statues or figurative reliefs. In the 15th century the Perpendicular Gothic clerestory and south porch were added, and a rood screen with a rood

inserted in the chancel arch. The upper part of the chancel screen has Perpendicular Gothic tracery of an unusual type. The lower part has two rows of eight

nave, south aisle are Decorated Gothic. The south porch is late Perpendicular Gothic. The very rich sanctuary, with its highly decorated windows (including

status active Heritage designation Grade II* Designated 1968 Style Perpendicular Gothic chancel, Gothic Revival nave and aisles Completed C12 (possible origins)

Abingdon History Dedication Saint Nicolas Architecture Style Norman, Decorated Gothic, Perpendicular Gothic Administration Province Canterbury Diocese Oxford

is a red brick Gothic Revival building with stone dressings and Perpendicular Gothic style windows. It was designed by the Gothic Revival architect C

Gothic windows in the chancel and the south wall of the nave. The Perpendicular Gothic clerestory was added later. The church underwent major repairs at

that also dates from the 14th century. In the 15th century a new Perpendicular Gothic west tower was built. In 1553 the tower was recorded as having four

though the door is 19th century. The building combines Decorated and Perpendicular Gothic styles. The bell tower contained five bells until 1901, when a sixth

Architect(s) E. G. Paley Architectural type Church Style Norman, Perpendicular, Gothic Revival Completed 1867 Specifications Materials Sandstone rubble

a chapel with a squint into the chancel. The northeast chapel is Perpendicular Gothic, as are the bell-tower and the clerestory that was added to the nave

19th-century remodelling was done in red sandstone and is an example of Perpendicular Gothic architecture. St Wilfrid's contains a memorial to 19th-century railway

fabric of the building is 13th-century. The church has a tower with a Perpendicular Gothic broach spire, a single-aisled nave, a chancel and a side chapel.

Archdiocese of Wrocław. The Saint, holding the Lamb of God, behind a perpendicular, Gothic building (possibly the Nysa Basilica); where by his feet, is the

from about 1300. The east window of the south transept is a later Perpendicular Gothic addition. The south porch reuses a mixture of Early English and Perpendicular

is built in the Decorated Gothic style whilst the furnishings are Perpendicular Gothic. In the West end of the North Aisle is a window by Payne with the

unusually light. Unlike the Decorated Gothic tracery at St Paul's, the Perpendicular Gothic tracery is repetitious in its form. The visual effect of the church

centuries from ironstone and limestone, in the Early English and Perpendicular Gothic styles. The church was extensively restored in 1852 and 1870. It

of Historic Places in 1982. The church was built in the English Perpendicular Gothic Revival style using red brick with sandstone trim on a foundation

although he notes that the detailing is more flowing than the typical Perpendicular Gothic style of the Somerset towers. The original design by Bucknall featured

Thomas de Beauchamp (died 1369, later pronounced Beecham), in the Perpendicular Gothic style. Between c. 1370 and 1394, the chancel, transept, nave and

Street, who also designed a new east window. The south clerestory is Perpendicular Gothic. The west window, dated 1928, is by Edward Woore and is a memorial

principal church, with Castlethorpe as its dependent chapel. The Perpendicular Gothic church spire is a prominent feature of the village and surrounding

woolman. The tower is also Medieval. A few Decorated Gothic and Perpendicular Gothic windows survive, but in the 1870s some were moved to different positions

although he notes that the detailing is more flowing than the typical Perpendicular Gothic style of the Somerset towers. The original design by Bucknall featured

However, the south aisle ends in a chapel that has a 15th-century Perpendicular Gothic east window and the nave has a 15th or 16th-century clerestory. The

woolman. The tower is also Medieval. A few Decorated Gothic and Perpendicular Gothic windows survive, but in the 1870s some were moved to different positions

Grade I Designated 1 June 1967 Architectural type Church Style Perpendicular, Gothic Revival Specifications Materials Red sandstone Welsh slate roof

lower part of the tower are 13th century. In the 15th century the Perpendicular Gothic clerestory and upper part of the tower were built and both transepts

in 1525 that is a notable wool church and regarded as the finest example of late Perpendicular Gothic architecture in England. Grade I listed building.

The west window of the north aisle is late medieval, being late Perpendicular Gothic. In 1864–5 the church was restored under the direction of the Gothic

from the modest to the grand. His churches include the red-brick Perpendicular Gothic Revival St John the Baptist's Church at Loxwood, West Sussex and

different dates and with tracery in different styles, both Decorated and Perpendicular Gothic as typified in the large windows of the west ends of the aisles,

trefoil-headed designs predominate, but there are some larger square-headed Perpendicular Gothic windows as well. Several other windows contain stained glass, including

Status Parish church Architecture Functional status Active Style Perpendicular, Gothic survival Years built 12th century, restored 1864 Administration

Sons designed this prominently sited town church in 1895 in the Perpendicular Gothic Revival style. The buttressed corner tower with tall spire dominates

different. The building is in the Decorated Gothic style with some Perpendicular Gothic elements, and is of Bargate stone rubble with courses of ashlar.

blocked up. The windows on the south side of the chancel are in the Perpendicular Gothic, while the 16th-century east window and 1724 west window are simpler

additions. The clerestory has five windows on each side. Most are Perpendicular Gothic, but two on the north side are Decorated Gothic. The two-storey brick

Architectural style Gothic Revival (main Early Gothic with some Perpendicular Gothic) Edwardian Gothic Revival (Gatekeeper's Lodge) Technical details

the 13th or early in the 14th century. Later in the Middle Ages a Perpendicular Gothic clerestory was added to the nave. Fragments of Medieval stained glass

sensitivity to the existing buildings with a mixture of English Gothic (perpendicular Gothic) and Tudor features; many modern materials have been employed but

Liberal Catholic Website www.greatstmarys.org Architecture Style Late Perpendicular Gothic Years built 1478–1519 Specifications Tower height 114ft (34.7m) Bells

vicar of St Peter and St Paul's. It was completed in 1898 in the Perpendicular Gothic style and consecrated by William Walsh, Bishop of Dover, on 22 October

Church building is constructed of Lannon stone from Wisconsin, in the perpendicular gothic style of Gothic Revival architecture. It replaced an earlier wood

The north and south transepts were added in the 14th century, the Perpendicular Gothic west tower in the 15th and the south porch in the 16th century. One

chancel and north chapel is a screen that is partly Perpendicular Gothic. The Perpendicular Gothic east window in the chancel is 15th-century. Fragments

Grade I Designated 1 June 1967 Architectural type Church Style Perpendicular, Gothic Revival Specifications Materials Limestone with ashlar dressings

Decorated Gothic. Later are the 14th-century north and south aisles, Perpendicular Gothic clerestory and south and north porches. Remnants of 14th-century

was originally 12th century but its upper stages were rebuilt in a Perpendicular Gothic style in about 1653. The nave and aisle were built in the 13th and

Heritage designation Grade I listed Designated 9 February 1961 Style Perpendicular Gothic Years built 15th century Specifications Materials stone Bells 6 Administration

nave roof was replaced, probably later in the 14th century, with a Perpendicular Gothic clerestory and low-pitched roof. The architect Richard Pace designed

from the 14th and 15th centuries: it was rebuilt from 1380 in the Perpendicular Gothic style. The Fitzalan Chapel forms the eastern section. Arundel Baptist

that seems to be late 13th century. The west tower and spire are Perpendicular Gothic and therefore later: a window in the tower west wall is 14th century

14th century and the chancel was rebuilt in the 15th century with Perpendicular Gothic traceried windows. The church plan, as existed and as chronicled

Islip had a parish church by the early 13th century but the present Perpendicular Gothic Church of England parish church of Saint Nicholas was built early

Tomb-like memorial of Osric in Gloucester Cathedral, in Perpendicular Gothic, erected about 1530

part of the west tower was built. The upper part of the tower is Perpendicular Gothic and therefore was built later. The chancel was rebuilt in 1840 and

completed chapel was described by Robin Woods as continuing "the perpendicular Gothic designs of the chapel itself, but in a twentieth century idiom".

England parish church Heritage designation Grade I Designated 5 June 1953 Architectural type Church Style Perpendicular Gothic Groundbreaking 14th century

12 ha) Built 1866 Architect James Douglas Architectural style English Perpendicular Gothic NRHP reference No. 72000067 Added to NRHP February 23, 1972

and to build vestries on either side. In 1939, a large window in perpendicular gothic style was added to the east end of the church. St Mary's suffered

transitional style between Decorated Gothic and Perpendicular. Next the Perpendicular Gothic clerestory was added. The architect Thomas Rickman repaired the church

1510–1532, the surviving 212-foot (65 m) tower was built in the Perpendicular Gothic style. On top of the tower are twelve large sculpted grotesque animal

the present Church of England parish church of Saint Nicholas is a Perpendicular Gothic building dating entirely from the early part of the 16th century

the middle of the 15th century. A few of the windows are original Perpendicular Gothic; the remainder are Victorian Gothic Revival. The aisles were rebuilt

Fédération international de ski (FIS) St. Mark's Chapel was built in the Perpendicular Gothic style, and was consecrated in 1857 by George Jehoshaphat Mountain

Wardrobe". The Daily Telegraph. Retrieved 19 July 2020. Ross, David. "Perpendicular Gothic architecture in England". Britain Express. Arnopp, Judith (7 December

Peter ad Vincula Architecture Style Norman, Decorated Gothic and Perpendicular Gothic Administration Province Canterbury Diocese Oxford Archdeaconry Oxford

Ashby's original Anglican parish church. It is a late 15th-century Perpendicular Gothic building. The outer aisles were designed by J. P. St. Aubyn and added

plaster ceilings that draw inspiration from traditional English Perpendicular Gothic. St Stephen's Uniting Church was listed on the New South Wales State

century the chancel was enlarged and its present east window with Perpendicular Gothic tracery was inserted. In 1870 the church was restored under the direction

Episcopal Church was built from 1925 to 1927 and designed in the English Perpendicular Gothic style by Mayers, Murray, & Philip with Bertram Grosvenor Goodhue

building is Norman, with the addition of some Decorated Gothic and Perpendicular Gothic windows and other details. The limestone building has a stone slate

rood screen dates from the 15th century. In the 15th century the Perpendicular Gothic Milcombe chapel (also known as the south chapel) was added. Although

Grade I Designated 11 August 1951 Architectural type Church Style Perpendicular Gothic Specifications Materials Brick (some rendered), ashlar dressings

topped by shingled pyramidal spire. Christian also worked in the Perpendicular Gothic style providing some very attractive Perpendicular traceried windows

Aberdeen's first city architect. Most of his churches are in the Perpendicular Gothic style; Udny and Nigg are not unlike Banchory, while Aberdeen South

rope from the roof above is a tall and highly ornate font cover in Perpendicular Gothic style with carved figures, some original, in niches between diagonal

chamber and boiler room, and north-east vestries. The general style is Perpendicular Gothic with Arts and Crafts elements. Constructed of ashlar with a timber-framed

have been built over when the anchorite was in the cell. Lancet and Perpendicular Gothic windows were added in the north, south and west walls in the 14th

Norman building with a 14th-century Gothic chancel and 15th-century Perpendicular Gothic west tower. The tower has a spire with wood shingles. Inside the

chamber and boiler room, and north-east vestries. The general style is Perpendicular Gothic with Arts and Crafts elements. Constructed of ashlar with a timber-framed

have been built over when the anchorite was in the cell. Lancet and Perpendicular Gothic windows were added in the north, south and west walls in the 14th

to make way for a new parish church completed in 1748 in a mix of perpendicular Gothic and Classical Revival styles. All that remains of the medieval church

Aberdeen's first city architect. Most of his churches are in the Perpendicular Gothic style; Udny and Nigg are not unlike Banchory, while Aberdeen South

added, linked with the nave by an arcade of four bays. The large Perpendicular Gothic window in the middle of the south wall of the chancel was inserted

Norman building with a 14th-century Gothic chancel and 15th-century Perpendicular Gothic west tower. The tower has a spire with wood shingles. Inside the

the east end 14th century. The south wall contains two restored perpendicular gothic windows at the west. The north wall has a single restored perpendicular

Longlevens, (1933–34) which he designed in a fifteenth-century Perpendicular Gothic style along with most of the interior fittings. Stratton Davis designed

wool merchant John Tame (d.1500), the church is an example of late Perpendicular Gothic architecture that is characterised by slim stone window mullions

to their father and brothers. Now offices. Long ashlar front in Perpendicular Gothic style, with elaborate central tower, many steeply pitched gables

called because of its hilltop position, is an early 15th-century Perpendicular Gothic structure of rubble and flint. William Butterfield's restoration

two-light Decorated Gothic, although some later examples are in the Perpendicular Gothic style. Some of the chancel windows are larger, with three lights

England parish church Heritage designation Grade I Designated 8 July 1959 Architectural type Church Style Perpendicular Gothic Groundbreaking 13th century

of its top (bell) stage. The chancel has a hammerbeam roof in a Perpendicular Gothic style. Writing in 1965, Ian Nairn and Nikolaus Pevsner stated that

chancel was rebuilt about 1330. The north arcade is later, and is Perpendicular Gothic. The lower part of the west tower was also 14th-century, and the

windows were inserted in the nave and a north door was added. The Perpendicular Gothic west window is 15th century, as is the partly timber-framed porch

end of the church was built of sandstone in the 15th century in a perpendicular gothic style with gargoyles projecting from the corners. Four bells were

Functional status Active Heritage designation Grade I listed Style Perpendicular Gothic Administration Province Canterbury Diocese Chichester Archdeaconry

Grade II* listed Architect(s) Francis Goodwin Architectural type Perpendicular Gothic Completed 24 October 1824 Specifications Materials Bath stone Administration

1340 and 1380 in a transitional style between the Decorated and Perpendicular Gothic and parts survive, but the church was rebuilt in the 1430s, when

except Old Portsmouth. It was rebuilt on "a grand scale" in the Perpendicular Gothic Revival style in 1887–89 to the design of Arthur Blomfield, replacing

the late 14th century the church was almost completely rebuilt in Perpendicular Gothic style. The west tower was built in about 1380–1400, and the font

1820 and 1822 by the architect Francis Goodwin in the decorated perpendicular gothic style at an expense of £14,235, raised by subscription of the inhabitants

Architecture Heritage designation Grade I listed building Style Perpendicular Gothic Groundbreaking circa 1300 Completed 1460 Specifications Length 83

made to the west doorway and the roof in the 15th century, in a Perpendicular Gothic style, with a crenellated wall plate and blank shields. The unusual

building in the perpendicular style, designed by John Bennie Wilson. Perpendicular Gothic, it has an octagonal two-stage tower, with corbelled shafts at the

three-light openings have hood moulds with arches above them. Its perpendicular Gothic openings have slate louvres and quatrefoil tracery. Its four-centred

interior, including Arthur Loader's replacement of some original Perpendicular Gothic-style aisle windows with Norman-style equivalents in 1876. The north

conserving original features and adding his own elements such as the Perpendicular Gothic east window (in which the stained glass depicting the Ascension of

built in Ketton stone and local red brick in the Victorian Late Perpendicular Gothic Revival style, was largely designed by Sir Arthur Blomfield and comprises

 1915 (1915-10-25) Architecture Architect(s) Warren, Knight & Davis Style English Perpendicular Gothic Completed 1926 Clergy Pastor(s) Kevin Long, Senior Pastor Susan Clayton

the entrance of the church supported on four columns which are of perpendicular gothic design on top of the entrance.[citation needed] The west end of the