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searching for Shochiku Studio 38 found (44 total)

Fumio Watanabe (221 words) [view diff] no match in snippet view article find links to article

Tokyo and graduated from the University of Tokyo before joining the Shōchiku studio in 1956. Seishun no oto (1954) Izumi (1956) Sora yukaba (1957) - Tetsuo

Katsumi Nishikawa (205 words) [view diff] case mismatch in snippet view article find links to article

(seishun eiga). Graduating from Nihon University, he started out at the Shochiku studio in 1939 and directed his first film in 1952. He moved to Nikkatsu in

Street Without End (522 words) [view diff] case mismatch in snippet view article find links to article

Kitamura. It was Naruse's last silent film and his final film for the Shochiku studio. Sugiko works as a waitress in a café in Tokyo's Ginza district. Her

Takeshi Sakamoto (226 words) [view diff] no match in snippet view article find links to article

than 300 films between 1925 and 1965, mostly in productions of the Shōchiku studio. He gained popularity as a supporting character, working for directors

Izumi Ashikawa (283 words) [view diff] case mismatch in snippet view article find links to article

1953, Ashikawa was scouted by director Yuzo Kawashima and joined the Shochiku studio. She made her film debut with Tokyomadamu to Osakafujin directed by

Tadao Ikeda (79 words) [view diff] case mismatch in snippet view article find links to article

film director. After graduating from Waseda University, he joined the Shochiku studio and came to prominence writing screenplays for such directors as Yasujirō

Shigeyoshi Suzuki (film director) (214 words) [view diff] no match in snippet view article

Born in Tokyo, Suzuki graduated from Meiji University and entered the Shōchiku studio in 1925. He debuted as a director the next year with Tsuchi ni kagayaku

Immoral Affairs (97 words) [view diff] case mismatch in snippet view article find links to article

(不機嫌な果実, Fukigen na kajitsu) is a Japanese film made in 1997 by the Shochiku studio and directed by Katsuo Naruse. It centers on two characters: Mayako

Isao Sasaki (2,729 words) [view diff] case mismatch in snippet view article find links to article

leading roles in seven films when he was an actor under contract with Shochiku studio. In 1969, he landed lead role on the TV jidaigeki Yōjutsu Bugeichō

Gekashitsu (84 words) [view diff] case mismatch in snippet view article find links to article

a film based on this story was produced by Genjiro Arato with the Shochiku studio, directed by Bandō Tamasaburō V. Sayuri Yoshinaga Masaya Kato Kiichi

Kōzaburō Yoshimura (653 words) [view diff] no match in snippet view article find links to article

a Japanese film director. Born in Shiga Prefecture, he joined the Shōchiku studio in 1929. He debuted as director with a short film in 1934, but, after

Azuma Morisaki (520 words) [view diff] case mismatch in snippet view article find links to article

University. After editing the film magazine Jidai Eiga, he joined the Shochiku studio in 1956. Moving from the Kyoto to Ofuna Studio, he wrote screenplays

Yoshinobu Ikeda (197 words) [view diff] case mismatch in snippet view article find links to article

heading to Tokyo in 1920 to join the theater world. He entered the Shochiku studio in 1921 and debuted as a film director the same year with Nasanu naka

Eitaro Ozawa (613 words) [view diff] case mismatch in snippet view article find links to article

name Sakae to his real name Eitarō. After his release, he joined the Shochiku studio and starred in films by Tomu Uchida, Tomotaka Tasaka and Keisuke Kinoshita

Shusuke Kaneko (709 words) [view diff] case mismatch in snippet view article find links to article

Cabaret for Nikkatsu and Summer Vacation 1999, a mainstream film for the Shochiku studio. Nikkatsu ceased their Roman Porno film line that year and filed for

Yoshishige Yoshida (669 words) [view diff] no match in snippet view article find links to article

of Tokyo, where he studied French literature, Yoshida entered the Shōchiku studio in 1955 and worked as an assistant to Keisuke Kinoshita, before debuting

Kiyohiko Ushihara (436 words) [view diff] case mismatch in snippet view article find links to article

Prefecture and graduating from Tokyo University, Ushihara joined the Shochiku studio in 1920 on the invitation of Kaoru Osanai. Starting out by helping

Doshaburi (film) (159 words) [view diff] case mismatch in snippet view article

Museum of Modern Art as part of its 2022 retrospective on films by the Shochiku studio. "土砂降り". Kinenote (in Japanese). Retrieved 21 August 2023. "土砂降り".

Shin Saburi (889 words) [view diff] case mismatch in snippet view article find links to article

Japan. He made his acting debut in 1931 and started working for the Shochiku studio in the mid-1930s, where he became one of the studio's biggest stars

Ozu's Anti-Cinema (1,177 words) [view diff] no match in snippet view article find links to article

Japanese as Ozu Yasujirō no han eiga in 1998. The author had worked with Shōchiku Studio as an assistant director and like several other directors of that time

Teiji Takahashi (102 words) [view diff] case mismatch in snippet view article find links to article

graduated from the Japanese Film School (Nihon Eiga Gakkō) and joined the Shochiku studio in 1945. He became one of the company's top young male stars, alongside

Yoshiko Kawada (440 words) [view diff] case mismatch in snippet view article find links to article

Shima no onna (Island Woman, 1920), directed by Henry Kotani for the Shochiku studio; her last was in Kane no naru oka - Dai sanhen: Kuro no maki (1949)

Kumi Taguchi (actress) (648 words) [view diff] case mismatch in snippet view article

Stewardess: Erotic Flight. Taguchi also appeared in non-pink films for the Shochiku studio, the 1976 action film Utareru mae ni ute! (known internationally as

The Idiot (1951 film) (1,282 words) [view diff] case mismatch in snippet view article

an aspect ratio of 1.37:1. This was Kurosawa's second film for the Shochiku studio, after Scandal (1950). It was originally intended to be a two-part

Dekao Yokoo (171 words) [view diff] case mismatch in snippet view article find links to article

Tokyo University of the Arts). He joined the art department of the Shochiku studio in 1923, eventually becoming an assistant director, but due his large

Bunta Sugawara (2,077 words) [view diff] case mismatch in snippet view article find links to article

when Shintoho filed for bankruptcy in 1961, Sugawara moved to the Shochiku studio where he was cast in Masahiro Shinoda's Shamisen and Motorcycle, but

Sumiko Kurishima (826 words) [view diff] no match in snippet view article find links to article

Kakō Mizuki when performing. Also appearing on stage, she entered the Shōchiku studio in 1921 and debuted in Henry Kotani's adaptation of Natsume Sōseki's

Tatsumi Kumashiro (2,681 words) [view diff] case mismatch in snippet view article find links to article

but, deciding he could not make a living writing novels, entered Shochiku studio as an assistant director in 1952, and moved to Nikkatsu in 1955. Kumashiro

Ureo Egawa (816 words) [view diff] case mismatch in snippet view article find links to article

together, he debuted as a director in 1927, but eventually joined the Shochiku studio as an actor, where he starred in films by directors such as Yasujirō

Kazuo Hasegawa (1,683 words) [view diff] case mismatch in snippet view article find links to article

Ganjirō I and performed kabuki in the Kansai region. He joined the Shochiku studio in 1927 and made his film debut in Chigo no kenpō under the name Chōjirō

Yaeko Mizutani (926 words) [view diff] case mismatch in snippet view article find links to article

theatre, in 1946. Mizutani also acted in Japanese films, beginning in Shochiku studio films in the 1920s. Her first film was the silent Kantsubaki (Winter

Yasujirō Ozu (4,094 words) [view diff] case mismatch in snippet view article find links to article

finished by another director. In 1928, Shiro Kido, the head of the Shochiku studio, decided that the company would concentrate on making short comedy

Sound film (18,829 words) [view diff] case mismatch in snippet view article find links to article

Furusato (Hometown), the latter directed by Kenji Mizoguchi. The rival Shochiku studio began the successful production of sound-on-film talkies in 1931 using

Kaneto Shindo (5,095 words) [view diff] case mismatch in snippet view article find links to article

under the tutelage of Kenji Mizoguchi. In 1943 he transferred to the Shochiku studio. Later that year, his common-law wife Takako Kuji died of tuberculosis

Ujō Noguchi (2,370 words) [view diff] no match in snippet view article find links to article

pentatonic minor scale (五音短音階). This song was turned into a film in 1923 (Shōchiku studio), the year the 1923 Great Kantō earthquake struck the Kantō area. Another

Hou Hsiao-hsien (6,203 words) [view diff] case mismatch in snippet view article find links to article

produced. He directed the Japanese film Café Lumière (2003) for the Shochiku studio as an homage to Yasujirō Ozu; the film premiered at a festival commemorating

The Thick-Walled Room (1,010 words) [view diff] case mismatch in snippet view article find links to article

by Shin-ei Kurabu Pro, an independent company affiliated with the Shochiku studio. The screenplay was written by Kōbō Abe, based on actual diaries of

The Catch (1961 film) (477 words) [view diff] case mismatch in snippet view article

Catch was Ōshima's first independently produced film after leaving the Shochiku studio. Mainichi Film Award for best supporting actor Rentarō Mikuni for The