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searching for Tadao Sato 16 found (54 total)

alternate case: tadao Sato

Atubaria heterolopha (182 words) [view diff] exact match in snippet view article find links to article

belongs to the pterobranchian order Cephalodiscida. It was described by Tadao Sato in 1936 from specimens found feeding on a colony of the hydrozoan Dycoryne

Kiyokuni Katsuo (813 words) [view diff] exact match in snippet view article find links to article

Kiyokuni Katsuo (born 20 November 1941 as Tadao Sato) is a former sumo wrestler from Ogachi, Akita, Japan. His highest rank was ōzeki, which he held from

Mile Championship Nambu Hai (331 words) [view diff] exact match in snippet view article find links to article

Konishi Kikuo Onodera Morioka 1:40.0 1991 Takeden Fighter 6 Mikiya Oeda Tadao Sato Kiichiro Akagawa Niigata 1:40.8 1992 Takeden Mangetsu 7 Norio Hirasawa

Mainichi Publishing Culture Award (574 words) [view diff] case mismatch in snippet view article find links to article

for Hiroyuki Agawa for Shiga Naoya 1995 Literature and art award for Tadao Satō for Nihon eiga-shi 2001 Literature and art award for Taeko Tomioka for

The Eel (film) (766 words) [view diff] exact match in snippet view article

content with his achievements in the sunset of his career." Film critic Tadao Sato stated that in light of a lack of attention regarding Japanese films in

Pigs and Battleships (1,399 words) [view diff] exact match in snippet view article find links to article

Retrieved July 15, 2015. Conversations between Shohei Imamura and critic Tadao Sato about The Insect Woman and Intentions of Murder, in: Pigs, Pimps, & Prostitutes:

Shōhei Imamura (1,528 words) [view diff] exact match in snippet view article find links to article

Retrieved 15 July 2015. Conversations between Shohei Imamura and critic Tadao Sato about The Insect Woman and Intentions of Murder, in: Pigs, Pimps, & Prostitutes:

Godzilla (6,614 words) [view diff] exact match in snippet view article find links to article

Miyazaki. Scarecrow Press. p. vii. ISBN 9780810851214. Interview with Tadao Sato. Godzilla – Criterion Collection 2012 Blu-ray/DVD Release. "The Psychological

Filmmaking technique of Akira Kurosawa (5,966 words) [view diff] exact match in snippet view article find links to article

evokes always in Kurosawa's films high moments of pathos." The critic Tadao Sato considers the recurring character of the "master" to be a type of surrogate

Criticism of Akira Kurosawa (3,755 words) [view diff] exact match in snippet view article find links to article

the upper class, and in particular samurai, to ensure their survival… Tadao Sato, in particular, objected to Kurosawa's view that only a handful of people

Godzilla, King of the Monsters! (5,065 words) [view diff] exact match in snippet view article find links to article

features such as interviews with Akira Ikufube, Japanese film critic Tadao Sato, actor Akira Takarada, Godzilla performer Haruo Nakajima, effects technicians

Development, Growth & Differentiation (298 words) [view diff] exact match in snippet view article find links to article

Yamana (1982-1986) Tokindo Okada (1974-1981) Masao Sugiyama (1970-1973) Tadao Sato (1950-1969) Okada, Tokindo S.; Momiki, Yumi; Nakajima, Elizabeth; Agata

Godzilla (1954 film) (10,421 words) [view diff] exact match in snippet view article

features such as interviews with Akira Ikufube, Japanese film critic Tadao Sato, actor Akira Takarada, Godzilla performer Haruo Nakajima, effects technicians

Applications of photovoltaics (3,541 words) [view diff] no match in snippet view article find links to article

Archived from the original on 25 June 2015. Retrieved 25 June 2015. Takeno, Tadao; Sato, Kenji; Hase, Köji (1981). "A theoretical study on an excess enthalpy

Film Heritage Foundation (3,770 words) [view diff] exact match in snippet view article find links to article

film "Kummatty" (1979). One of Japan's top film reviewers and scholars, Tadao Sato, described "Kummatty" as masterpiece and said he had never seen a more

Late Spring (12,480 words) [view diff] exact match in snippet view article find links to article

transitional work in terms of the home as a recurring theme in Japanese cinema. Tadao Sato points out that Shochiku’s directors of the 1920s and 1930s—including