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searching for Voice writing 79 found (82 total)

Music theory (13,480 words) [view diff] no match in snippet view article find links to article

Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music

Four-part harmony (533 words) [view diff] no match in snippet view article find links to article

The term "four-part harmony" refers to music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument

Speech-to-text reporter (724 words) [view diff] exact match in snippet view article find links to article

stenographic, voice writing, and automatic speech recognition methods. Trained and experienced real-time writers, whether using stenographic or voice writing, can

Kristin Chenoweth at Carnegie Hall (448 words) [view diff] no match in snippet view article find links to article

interpreter of lyrics, as well as the range, agility and beauty of her voice, writing: "With a voice that easily glides from Broadway belt to soaring soprano

Janet Lawson (609 words) [view diff] exact match in snippet view article find links to article

a 1977 New York Times article entitled Janet Lawson: The Dream Jazz Voice writing that she "has the kind of voice that most jazz singers probably wish

How to Pronounce Knife (673 words) [view diff] no match in snippet view article find links to article

brutal and tender, giving her stories and their characters a powerful voice." Writing for Shelf Awareness, Alice Martin called the prose "spare" and "precise

Twang!! (1,110 words) [view diff] case mismatch in snippet view article find links to article

Robin, Marian Act II Living a Legend – Robin Unseen Hands – Mystery Voice Writing on the Wall – Delphina Wander (reprise) – Marian, Robin Roger the Ugly

Scopist (599 words) [view diff] exact match in snippet view article find links to article

written text. Court reporters take down official proceedings using voice writing or stenography. Scopists receive the rough copies of these transcripts

Thirteenth (1,107 words) [view diff] exact match in snippet view article find links to article

flat 13. Since thirteenth chords contain more than four notes, in four-voice writing the root, third, seventh, and thirteenth are most often included, excluding

Billy Eckstine Sings with Benny Carter (376 words) [view diff] no match in snippet view article find links to article

Eckstine's biographer Cary Ginnell also noted the deterioration in his voice, writing that "...he had by now lost most of his lower range...[his] jazz instincts

Fine China (Future and Juice Wrld song) (912 words) [view diff] no match in snippet view article

sugar rush", but questioned Juice Wrld's lyrics and his "strained" voice, writing that the hook "Shawty like a thousand dollar plate of fine china" is

Conductus (1,864 words) [view diff] exact match in snippet view article find links to article

melodies form monophonic compositions provide the basis for the multiple-voice writing. The composition can be either in strophic or through-composed form

(You Make Me Feel Like) A Natural Woman (1,659 words) [view diff] no match in snippet view article

"take[s] on added resonance when delivered in her own warm, compelling voice." Writing for Pitchfork, music journalist Jenn Pelly says that while King's version

National Theatre Workshop of the Handicapped (1,034 words) [view diff] no match in snippet view article find links to article

1977 by Father Rick Curry, S.J. NTWH had programs for acting, singing, voice, writing, and theatre production, and thousands of theatre students and performers

CeeLo Green (5,858 words) [view diff] no match in snippet view article find links to article

citing his busy work schedule—which included a commitment to judging The Voice, writing a new book, and recording a new album—as the reason for his withdrawal

Happily N'Ever After (2,149 words) [view diff] no match in snippet view article find links to article

filmmakers are content to repeat fairy-tale tropes in a smug directorial voice." Writing for Empire, Simon Braund felt that "[The film] comes up severely wanting

Penélope Cruz (10,721 words) [view diff] exact match in snippet view article find links to article

girl is a hilariously bad [idea]" and Michael Miller of the Village Voice writing that "as Satan's helper Carmen, Penélope Cruz doesn't hold a candle

Blossom Dearie (album) (375 words) [view diff] no match in snippet view article

for the CD release, AllMusic reviewer Scott Yanow praises Dearie's voice, writing its "sincerity and sense of swing wins one over after a few songs" and

Billie Joe Armstrong (6,861 words) [view diff] exact match in snippet view article find links to article

Armstrong's own performance was generally praised, with The Village Voice writing that he had "a low-key charm suggesting that, if he desired it, he could

Tom Johnson (composer) (833 words) [view diff] no match in snippet view article

in New York. From 1971 to 1983 he was a music critic for The Village Voice, writing about new music, and an anthology of these articles was published in

Boy (1969 film) (665 words) [view diff] exact match in snippet view article

performance remains widely acclaimed with David Fear of The Village Voice writing that "his Toshio is simply trying to survive in a brave new world that

Music of the Trecento (2,588 words) [view diff] exact match in snippet view article find links to article

survive from the earlier periods, but the form most associated with three-voice writing was the rarer caccia, a canonic form with onomatopoeic exclamations

Owen Hatherley (1,087 words) [view diff] case mismatch in snippet view article find links to article

Birkbeck, University of London Occupations writer author Owen Hatherley's voice Writing career Subjects Architecture left-wing politics trade unionism Notable

Eileen Blair (1,937 words) [view diff] no match in snippet view article find links to article

they needed to leave. One biographer eliminates her with the passive voice, writing: 'By now, thanks to the British consulate, their passports were in order

Angela's Ashes (3,888 words) [view diff] no match in snippet view article find links to article

his family's tragic life. When he reads, there is no rancor in his voice." Writing a review in 2020, Ashley Nelson stated "This story is challenging to

Greg Tate (1,964 words) [view diff] no match in snippet view article find links to article

essays on culture and politics, drawn from his writing for the Village Voice. Writing for Pitchfork, Allison Hussey said, "It became a definitive work for

Cry Pretty Tour 360 (1,075 words) [view diff] no match in snippet view article find links to article

Appeal applauded the show's pyrotechnics, but highlighted Underwood's voice, writing, "Despite all the showmanship, the real essence of Underwood — going

At the Devil's Door (1,593 words) [view diff] no match in snippet view article find links to article

thoughtful." Alan Scherstuhl wrote a similar review in The Village Voice, writing, "McCarthy shows he's mastered the things we already know scare us onscreen;

Kelly Fremon Craig (1,539 words) [view diff] no match in snippet view article find links to article

Of Seventeen, a coming-of-age comedy with a refreshingly authentic voice". Writing Studio. 8 December 2016. Fleming, Mike Jr. (October 17, 2018). "Judy

Revolution 9 (4,318 words) [view diff] no match in snippet view article find links to article

of the first such polls, conducted in 1971 by WPLJ and The Village Voice. Writing for Mojo in 2003, Mark Paytress said that "Revolution 9" remained "the

The Song of Ceylon (370 words) [view diff] no match in snippet view article find links to article

ends as it began, panning over palm trees. Lionel Wendt as Narrator (voice) Writing for The Spectator in 1935, Graham Greene described the film as "an example

Turn Me On (David Guetta song) (2,959 words) [view diff] no match in snippet view article

Carol Cooper of The Village Voice gave a review talking about her voice, writing that "on 'Turn Me On' Nicki Minaj gamely shifts between her Madonna

Set Fire to the Rain (4,498 words) [view diff] no match in snippet view article find links to article

song, but Adele's always sounded best when it's just a piano and a voice." Writing for the newspaper Herald Sun, Camreon Adams called the song a "triumphant

Robert Hilferty (620 words) [view diff] no match in snippet view article find links to article

The New York Times, Opera News, Playbill, Stagebill and The Village Voice, writing about acting, architecture, classical music, fashion and gardening.

Claudin de Sermisy (1,382 words) [view diff] exact match in snippet view article find links to article

voices, though he wrote some for three early in his career, before four-voice writing became the norm. Influence from the Italian frottola is evident, and

Bruised Orange (1,718 words) [view diff] no match in snippet view article find links to article

" Critic Robert Christgau was cool toward the album in The Village Voice, writing that "...Prine sounds like he's singing us bedtime stories, and while

Buzz or Howl Under the Influence of Heat (1,407 words) [view diff] no match in snippet view article find links to article

Christgau was also quite positive in reviewing the album for The Village Voice, writing: "These guys define the future of atavism if anybody does. Subtle structures

Paid in Full (album) (3,661 words) [view diff] no match in snippet view article

the album a "B" grade in his "Consumer Guide" column for The Village Voice. Writing in 2001, he said it has "four groundbreaking masterworks" in "I Ain't

Where Are We Now? (3,462 words) [view diff] no match in snippet view article find links to article

Now?" as the magazine's "Best New Track". He noted the age in Bowie's voice, writing: "his voice is weary and wise...it's a little disconcerting at first

Nobody Is Listening (1,715 words) [view diff] no match in snippet view article find links to article

music speaks a little louder"; he did, however, compliment Malik's voice, writing that it was "undoubtable that his vocal ability was wasted on One Direction’s

Della mercatura e del mercante perfetto (960 words) [view diff] no match in snippet view article find links to article

verbose et almost impossible to express it, "that without the living voice, writing can hardly be impa" rare. " However, one can easily argue that Benedict

Undrafted (film) (1,005 words) [view diff] no match in snippet view article

intramural baseball". Nivk Schager also panned the film in The Village Voice, writing "there’s no escaping the fact that the dugout-and-diamond shenanigans

Aminadab (922 words) [view diff] no match in snippet view article find links to article

of "what shall we do?" and the responding advice to "cry unto" the voice. Writing to an audience of Latter-day Saint (LDS) seminary and institute teachers

JHUD (1,583 words) [view diff] no match in snippet view article find links to article

relatively empty otherwise, give her plenty of space to flex her powerful voice." Writing for AllMusic, Andy Kellman forecasting Hudson to be "in full-on diva

A Beautiful Mind (soundtrack) (650 words) [view diff] no match in snippet view article

that these changing patterns were conveyed with the piano and Church's voice. Writing for Empire magazine, Danny Graydon gave the soundtrack four out of five

Say Something (A Great Big World song) (6,998 words) [view diff] no match in snippet view article

more." Stern also praised Aguilera for showing a simple side of her voice, writing that she "doesn't even have her own verse or chorus – she resigns to

Alessandro Portelli (1,522 words) [view diff] no match in snippet view article find links to article

of Wisconsin Press, 1997). ISBN 978-0-299-15374-8 The Text and the Voice: Writing, Speaking and Democracy in American Literature (New York, NY: Columbia

List of songs recorded by Evanescence (1,585 words) [view diff] no match in snippet view article find links to article

Evolution is known as "WOY Bells". ”Will Can't Catch” is a demo of “Use My Voice”. ”Writing” is a demo of “Wasted on You”. "Anything for You" samples "Bringin

Fijación Oral, Vol. 1 (6,132 words) [view diff] no match in snippet view article find links to article

in the mixed emotions of the lyrics, [and] in Shakira's mercurial voice". Writing for Paste, Mark Kemp complimented Shakira for dispelling notions she

Poland (song) (1,581 words) [view diff] no match in snippet view article

Washington Post praised the Auto-Tune vibrato effect applied to Yachty's voice, writing that "in this funny, freaky, emotionally extravagant, tragicomic gush

Never Close Our Eyes (1,603 words) [view diff] no match in snippet view article find links to article

mathematical and otherwise." DJ Ron Slomowicz of About.com praised his voice, writing: "His voice carries a lot of strength, and when he hits the falsetto

Payphone (song) (6,311 words) [view diff] no match in snippet view article

overwhelmingly mellow." Fraser McAlpine from BBC Music criticized his voice, writing: "Adam Levine fires up that nasal yelp as soon as the song begins, and

Water Under the Bridge (4,535 words) [view diff] no match in snippet view article find links to article

the few moments on 25 that did justice to Adele's strong and dynamic voice. Writing for DIY, Tom Connick said the clangorous drumming and capering guitar

Rebecca Brown (author) (1,089 words) [view diff] no match in snippet view article

play, and various kinds of fantasy. Brown has "a uniquely recognizable voice, writing as she does in a stark style that combines the minimalism of Ernest

I Do Not Hook Up (3,486 words) [view diff] no match in snippet view article find links to article

Bill Lamb of About.com praised the song's hook, chorus and Clarkson's voice, writing that they take the record to the next level. He was dismissive of the

On the Low (2,321 words) [view diff] no match in snippet view article find links to article

PopMatters noted the singer's change of pitch and a "stretching" of her voice, writing that Styrke "speeds up and slows down her phrasing as if answering her

So (album) (7,644 words) [view diff] no match in snippet view article

1980 single "Biko". Robert Christgau was also lukewarm in The Village Voice, writing that "Gabriel's so smart he knows rhythm is what makes music go, which

Fallen (Evanescence album) (10,580 words) [view diff] no match in snippet view article

worse, both." Begrand praised Lee's "soaring, enchanting, angelic" voice, writing that "Evanescence would be nothing" without her. Christopher Gray of

Every Everything: The Music, Life & Times of Grant Hart (641 words) [view diff] no match in snippet view article find links to article

Peter Gerstenzang called the film "beautifully sad" in The Village Voice. Writing in City Pages, Reed Fischer said, "In spite of the myriad challenges

Tell Me (Groove Theory song) (873 words) [view diff] no match in snippet view article

"throbbing tropical dance banger". The reviewer also highlighted Reyes' voice, writing "Sofia's smooth, sultry vocals beckon to the dance floor like the reflection

Younger Than Yesterday (5,704 words) [view diff] exact match in snippet view article find links to article

U.S. was less complimentary, with Richard Goldstein of The Village Voice writing that "There is nothing new or startling on Younger Than Yesterday."

Mary Howe (1,082 words) [view diff] no match in snippet view article find links to article

the ensemble. Howe later developed a passion for composing for the voice, writing many art songs. In support of her country during World War II, she composed

Stenomask (633 words) [view diff] case mismatch in snippet view article find links to article

original on March 8, 2012.{{cite web}}: CS1 maint: unfit URL (link) Voice Writing: The Method Archived 2007-07-04 at the Wayback Machine, National Verbatim

Meredith Graves (1,691 words) [view diff] no match in snippet view article find links to article

New York. From 2015 to 2016, Graves was a columnist for the Village Voice, writing a food and music series called Recipe for Disaster. She has also written

D'Arcy McNickle (2,173 words) [view diff] no match in snippet view article find links to article

of Arizona Press, 1990. Rains, James W. "Today Speaks in Yesterday's Voice: Writing American Indians into History in the Fiction of D'Arcy McNickle." Thesis

Schenkerian analysis (9,826 words) [view diff] exact match in snippet view article find links to article

despite the freedom taken at subsequent levels. One aspect of strict, two-voice writing that appears to span Schenker's theory throughout the years of its elaboration

Journey to the Past (8,982 words) [view diff] no match in snippet view article find links to article

however, it allowed the singer to truly showcase the power of her voice. Writing for Okayplayer, Thembisa Mshaka described Aaliyah's vocals as unexpectedly

J.Lo (album) (9,003 words) [view diff] no match in snippet view article

need to develop a long-term music career." He also praised Lopez's voice, writing that it "sounds more confident, as she takes more chances with a voice

Nothing Very Important and Other Stories (1,389 words) [view diff] no match in snippet view article find links to article

time acknowledged the book's limitations while praising its unique voice. Writing for the Association for Mormon Letters newsletter, Elouise Bell gave

Alexis Jordan (album) (2,239 words) [view diff] no match in snippet view article

feeling." The Guardian's Caroline Sullivan dismissed Alexis Jordan's voice, writing "Jordan is reputed to have a voice worth hearing, but here it's been

Erich Katz (1,484 words) [view diff] no match in snippet view article find links to article

wrote music for the recorder and other instruments, as well as for voice, writing hundreds of manuscripts. Katz was called "the true father of the recorder

Voice + Whisper (1,467 words) [view diff] no match in snippet view article find links to article

noting the group's "sweet" harmonies since its debut single "In Your Voice". Writing for TV Daily, Kim Ji-ha lauded the members' individual vocals as well

Drifter (film) (1,276 words) [view diff] no match in snippet view article

concluded by praising the film's ambition and von Hoffmann's artistic voice. Writing for LA Weekly, Luke Y. Thompson called film's premise refreshing, as

Arthur Flowers (2,026 words) [view diff] no match in snippet view article find links to article

Publishers Weekly proclaimed it "a spirited effort" told in a "sonorous voice". Writing in The New York Times, Fran Handman called it a "charming, provocative

Birna Arnbjörnsdóttir (2,102 words) [view diff] no match in snippet view article find links to article

Arnbjörnsdóttir, B. & Ingvarsdóttir, H. The issues of identity and voice: Writing English for Research Purposes in the semi periphery. In Global Academic

Vasudeo Sitaram Bendrey (3,228 words) [view diff] case mismatch in snippet view article find links to article

Others 46. Sighradhvanilekhanapaddati - Marathi: p. 100 47. : Quick Voice Writing System - Gujarati: p. 100 48. Stenography for India: Pp. 54 49. Gad

King of a Land (1,741 words) [view diff] no match in snippet view article find links to article

"a welcome return to form" that showcase Stevens' "honeyed as ever" voice. Writing for The Line of Best Fit, Tanatat Khuttapan gave this release a 7 out

Haunted Heart (Christina Aguilera song) (2,357 words) [view diff] no match in snippet view article

Basics-like production. He was also impressed with Aguilera's strong singing voice, writing that "Christina was not playing games with the vocals on this one".

I Told Them... (1,493 words) [view diff] no match in snippet view article find links to article

texture and pleasant melody, all held together by Ogulu’s appealing voice. Writing for Pitchfork, Julianne Escobedo Shepherd wrote that the album "is succinct