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searching for Wilhelm von Bode 6 found (143 total)

Thomas W. Gaehtgens (1,400 words) [view diff] exact match in snippet view article find links to article

Kennerschaft: Kolloquium zum 150sten Geburtstag von Wilhelm von Bode. Berlin 1996. Mein Leben: Wilhelm von Bode. Berlin 1997. Kunsthalle Bremen: Gemäldegalerie

The Polish Rider (1,188 words) [view diff] exact match in snippet view article find links to article

unfinished. The first western scholar to discuss the painting was Wilhelm von Bode who in his History of Dutch Painting (1883) stated that it was a Rembrandt

Vertumnus and Pomona (Melzi) (968 words) [view diff] exact match in snippet view article

Melzi came from the art historian Giovanni Morelli in 1877. In 1905, Wilhelm von Bode confirmed Melzi as the artist of this painting as well as of Flora

Charles Fairfax Murray (751 words) [view diff] exact match in snippet view article find links to article

National Gallery. From 1877 he also enjoyed a long connection with Dr. Wilhelm von Bode, Director of Berlin's Gemaldegalerie, and partnered the London dealers

Cassone (925 words) [view diff] exact match in snippet view article find links to article

Milanesi, vol. II p 148, noted in Ellen Callmann 1999:339 and note 7. Wilhelm von Bode, Italian Renaissance Furniture Civilta del legno: mobili dalle collezioni

Rembrandt (12,548 words) [view diff] exact match in snippet view article find links to article

attribution. Critical opinion of this picture has varied since 1905, when Wilhelm von Bode described it as "a somewhat abnormal work" by Rembrandt. Scholars have